Materials & Techniques: line engraving / Genre: landscape / Width [cm]: 29

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

Print made by William Miller, 1796–1882

Norham Castle - Moonrise

1834

Print made by William John Cooke, 1797–1865

The Thames at Mortlake

1836-1838

Print made by William Miller, 1796–1882

The Rhine - Osterspey and Feltzen

1838-1852

Print made by Robert Brandard, 1805–1862

The Rhine - Neuwied and Weissenthurm

1838-1852

Print made by William Miller, 1796–1882

The Rhine - Osterspey and Feltzen

1838-1852

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by John Cousen, 1804–1880

Falls near the Source of the Jumna

1836-1837

Print made by James Baylis Allen, 1803–1876

Mussooree and the Dhoon from Landour

1836

Print made by Thomas Higham, 1796–1844

Part of the Ghaut at Hurdwar

1836

Print made by W. Floyd, active 1845

Valley of the Dhoon

1836

Print made by John Cousen, 1804–1880

View near Jubbera

1836

Print made by Edward Goodall, 1795–1870

Snowy Range, from Tyne or Marma

1836

Print made by Edward Goodall, 1795–1870

Rocks at Colgong on the Ganges

1836

Print made by Edward Goodall, 1795–1870

Gertrude of Wyoming - The Waterfall

1837

Print made by James Tibbits Willmore, 1800–1863

Ullswater, Cumberland

1835

Print made by James Tibbits Willmore, 1800–1863

Powis Castle, Montgomery

1835

Print made by Robert Brandard, 1805–1862

The Rhine - Neuwied and Weissenthurm

1838-1852

Print made by Robert Brandard, 1805–1862

The Rhine - Neuwied and Weissenthurm

1853

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

Print made by Thomas Higham, 1796–1844

Part of the Ghaut at Hurdwar

1836

Print made by Edward Goodall, 1795–1870

Snowy Range, from Tyne or Marma

1838

Print made by John Cousen, 1804–1880

View near Jubbera

1838

Print made by William Miller, 1796–1882

The Rhine - Osterspey and Feltzen

1838-1854

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1823

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by William Bernard Cooke, 1778–1855

Plymouth, Devonshire

1832

Print made by J. Widnell, Active 1795

Matlock

1795

Print made by Letitia Byrne, 1779–1849

Donnington Castle

1805

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1823

Print made by unknown artist

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Print made by William Bernard Cooke, 1778–1855

Plymouth Sound

1823

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1821

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by William John Cooke, 1797–1865

Plymouth, Devonshire

1832

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1824

Print made by William Miller, 1796–1882

Loch Achray

1834

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by James Basire II, 1769–1822

Distant View of Whalley Abbey

1800

Print made by James Basire II, 1769–1822

Clitheroe from Eadsford Bridge

1800

Print made by William Byrne, 1743–1805

Wickham from the Marlow Road

1803

Print made by William Byrne, 1743–1805

Newbury from Speen Hill

1805

Print made by William Byrne, 1743–1805

Donnington Castle

1805

Print made by William Byrne, 1743–1805

Distant View of Chester

1810

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth Sound

1821

Print made by William Bernard Cooke, 1778–1855

Vale of Heathfield, Sussex

1818

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Print made by unknown artist

Little Devil's Bridge

between 1816 and 1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by William Angus, 1752–1821

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein

1837

Print made by W. Floyd, active 1845

Valley of the Dhoon

1837

Print made by R. Campbell, active ca. 1832

View of Calcutta

1832

Print made by Robert Wallis, 1794–1878

Kilchurn Castle

1854

Print made by Edward Goodall, 1795–1870

Rocks at Colgong on the Ganges

1836

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1860

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Materials & Techniques line engraving

Genre landscape

Width [cm] 29

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Materials & Techniques line engraving

Genre landscape

Width [cm] 29

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