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Materials & Techniques line engraving

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Genre literary theme

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Creator Bartolozzi, Francesco, 1727–1815

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1. Prospero Disarming Ferdinand, Act I, Scene II

Prospero Disarming Ferdinand, Act I, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Death of Sir Philip Sydney

The Death of Sir Philip Sydney
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V

Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Line engraving and stipple engraving
Dimensions:
Sheet: 25 1/4 x 17 3/4in. (64.1 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V

Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Line engraving and stipple engraving
Dimensions:
Sheet: 25 1/4 x 17 3/4in. (64.1 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Tom Jones Assisting Molly Seagrim

Tom Jones Assisting Molly Seagrim
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 15 7/16 inches (53.4 x 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

6. Reverend Hugh Blair, D.D.

Reverend Hugh Blair, D.D.
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1779
Materials & Techniques:
Stipple and line engraving and etching in black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Griselda Returning to her Father

Griselda Returning to her Father
Creator:
Print made by Amedeo Gabrielli, 1749–1817
Date:
after 1785
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/16 x 13 inches (43.4 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Ticket: For The Benefit Of Mad' Banti

Ticket: For The Benefit Of Mad' Banti
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 7 1/2 inches (15.9 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Ticket for the Benefit of Madame Banti

Ticket for the Benefit of Madame Banti
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 7 5/8 inches (15.2 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Ticket for the Benefit of Madame Banti

Ticket for the Benefit of Madame Banti
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 × 6 3/4 inches (13.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Concert Ticket: Benefit Night of Luigi Borghi

Concert Ticket: Benefit Night of Luigi Borghi
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 6 5/8 inches (19.1 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Dido and Aeneas

Dido and Aeneas
Creator:
William Woollett, 1735–1785
Date:
1787
Materials & Techniques:
Line engraving and etching
Dimensions:
Plate: 17 7/8 x 22in. (45.4 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10

I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. September

September
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. August

August
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. October

October
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Poetry And History, Presenting Painting, With Subjects For Her Pencil

Poetry And History, Presenting Painting, With Subjects For Her Pencil
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Palamon and Arcite

Palamon and Arcite
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore

Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1774
Materials & Techniques:
Line engraving, and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Vignette: Angel Holding Medallion Of Composer. G.F. Handel

Vignette: Angel Holding Medallion Of Composer. G.F. Handel
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Joseph Andrews

Joseph Andrews
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1781
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Angelica and Medoro

Angelica and Medoro
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Lauretta

Lauretta
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Dead Ass, Nampont

The Dead Ass, Nampont
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Line engraving, stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Shepherdess of the Alps

The Shepherdess of the Alps
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1776
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Snuff Box, Calais

The Snuff Box, Calais
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Line engraving, stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Orlando Rescues Olympia From The Orca In The Island Ebuda

Orlando Rescues Olympia From The Orca In The Island Ebuda
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1768
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Vortigern And Rowena

Vortigern And Rowena
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting

A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Vede di Mezzo il Fiume un Cavaliero...

Vede di Mezzo il Fiume un Cavaliero...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. ...Scuote, il Lembo Pieno; e Nella Torbida Onda...

...Scuote, il Lembo Pieno; e Nella Torbida Onda...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Lo Corse ad Abbracciare, e a Sargli Sesta...

Lo Corse ad Abbracciare, e a Sargli Sesta...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Angelica, e Medoro in Varj Modi...

Angelica, e Medoro in Varj Modi...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. E d'Uccider se Stesso in Pensier Venne...

E d'Uccider se Stesso in Pensier Venne...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World

Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1778
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis

Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1778
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Stava Ella Nel Sepolcro; e Quivi Attrita...

Stava Ella Nel Sepolcro; e Quivi Attrita...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Title page: L'Amico' de Fanciulli, Vol. III

Title page: L'Amico' de Fanciulli, Vol. III
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Title page: Depicting Cupid, Venus, and Juno

Title page: Depicting Cupid, Venus, and Juno
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. In Quel Momento il Monte, e il Piano Scosse...

In Quel Momento il Monte, e il Piano Scosse...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Death of Dido

Death of Dido
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Griselda

Griselda
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V

My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Illustration From Bell's Edition of The Poets of Great Britain

Illustration From Bell's Edition of The Poets of Great Britain
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca. 1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill

Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond

Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet

Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Polyhemus, Playing The Panpipes For Galatea

Polyhemus, Playing The Panpipes For Galatea
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"

Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids

King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1779
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Anthony and Cleopatra, Act 3, Scene II

Anthony and Cleopatra, Act 3, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Birth of Shakespeare

The Birth of Shakespeare
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Antony and Cleopatra, Act I, Scene II

Antony and Cleopatra, Act I, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and hand-colored brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Troilus and Cressida, Act 4, Scene II

Troilus and Cressida, Act 4, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. King Lear, Act 4, Scene VII

King Lear, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Troilus and Crssida, Act 3, Scene II

Troilus and Crssida, Act 3, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Ophelia vide Hamlet, Act 4, Scene VII

Ophelia vide Hamlet, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. As You Like It, Act IV, Orlando and Oliver

As You Like It, Act IV, Orlando and Oliver
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving, stipple engraving, and ething
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Coriolanus, Act 5, Scene III

Coriolanus, Act 5, Scene III
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Macbeth, Act I, Scene II

Macbeth, Act I, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background

Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
Creator:
Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"

Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Concert Ticket For The Benefit of Madame Banti

Concert Ticket For The Benefit of Madame Banti
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 6 1/4 inches (12.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Pospero Disarming Ferdinand from The Tempest, Act I, Scene II

No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/4 × 17 7/8 inches (40 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund