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Materials & Techniques line engraving

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Genre literary theme

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Height [cm] 24

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William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
William Bernard Cooke Newark Castle
Print made by William Bernard Cooke, 1778–1855
Newark Castle
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
James T. Willmore Dido and Aeneas
Print made by James T. Willmore, 1800–1863
Dido and Aeneas
between 1859 and 1861
Edward Goodall Ulysses Deriding Polyphemus
Print made by Edward Goodall, 1795–1870
Ulysses Deriding Polyphemus
between 1859 and 1861