Materials & Techniques: line engraving / Genre: marine art / Width [cm]: 42

Print made by John Boydell, 1720–1804

A Calm

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804

Morning

1753

Print made by John Boydell, 1720–1804

Evening

1755

Print made by John Boydell, 1720–1804

Night

1756

Print made by John Boydell, 1720–1804

Greenland Fishery

1754

Print made by John Boydell, 1720–1804

Noon

1753

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by William Miller, 1796–1882

Rouen, Looking Down the River

1834

Print made by Robert Brandard, 1805–1862

Quilleboeuf

1834

Print made by James Tibbits Willmore, 1800–1863

Vernon

1835

Print made by S. Fisher, active 1831–1844

Saint Denis

1835

Print made by James Tibbits Willmore, 1800–1863

Paris from the Barriere de Passy

1835

Print made by James Tibbits Willmore, 1800–1863

Winander-Mere, Westmoreland

1837

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by James Baylis Allen, 1803–1876

Caudebec

1833

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James Tibbits Willmore, 1800–1863

Montjen

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by Robert Brandard, 1805–1862

Rouen, Looking Up the River

1834

Richard Bernard Godfrey, 1728–op.1794

Ships in Distress

1796

Print made by Henry Le Keux, 1787–1868

Simmer Lake, near Askrig

1821

Print made by Thomas Higham, 1796–1844

Part of the Ghaut at Hurdwar

1836

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by Thomas Jeavons, ca. 1800–1867

Canal of the Loire and Cher, near Tours

1833

Print made by James Charles Armytage, 1802–1897

Confluence of the Seine and Marne

1835

Print made by William Miller, 1796–1882

Melun

1835

Print made by William Bernard Cooke, 1778–1855

Plymouth Citadel

1823

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 1

1828

Print made by James Tibbits Willmore, 1800–1863

Nantes

1826-1837

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

Print made by Robert Wallis, 1794–1878

Tours, Looking Backwards

1833

Print made by William Bernard Cooke, 1778–1855

Plymouth Sound

1823

Print made by James Tibbits Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by Robert Wallis, 1794–1878

Margate, Kent

1831

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by Robert Wallis, 1794–1878

Havre, Tower of Francis I

1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862

Rouen, Looking Up the River

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by Robert Brandard, 1805–1862

Between Quilleboeuf and Villequier

1834

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Materials & Techniques line engraving

Genre marine art

Width [cm] 42

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Materials & Techniques line engraving

Genre marine art

Width [cm] 42

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