Materials & Techniques: line engraving / Genre: religious and mythological subject / Height [cm]: 24

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Materials & Techniques line engraving

Genre religious and mythological subject

Height [cm] 24

Print made by James Basire the younger, 1769–1822

Whalley Abbey (nearer view)

1800

Print made by James Basire the younger, 1769–1822

Distant View of Whalley Abbey

1800

Print made by S. Porter, active 1802

Durham Cathedral

1802

Print made by James Basire the younger, 1769–1822

Stonyhurst

1801

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Print made by James Basire the younger, 1769–1822

Cloisters of Whalley Abbey

1800

Print made by William Faithorne, ca. 1620–1691

The Betrayal of Christ

1653

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Robert Wallis, 1794–1878

Nemi

1840

Print made by James Baylis Allen, 1803–1876

Decline of Carthage

between 1859 and 1861

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Stone Henge, Wiltshire

1829

Print made by James T. Willmore, 1800–1863

Dido and Aeneas

between 1859 and 1861

Print made by Edward Goodall, 1795–1870

Ulysses Deriding Polyphemus

between 1859 and 1861

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