Materials & Techniques: line engraving / Associated Places: Europe / Width [cm]: 30

1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

2. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

3. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper mounted on ledger page
Dimensions:: Sheet: 8 1/2 × 11 5/8 inches (21.6 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; 2nd state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1815
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828-1837
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Lake of Como, I

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Havre

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (4) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Etching and engraving with chine collé; second published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 14 9/16 inches (28.9 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; 1st state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 11/16 inches (29.8 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 12 15/16 inches (25.9 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Land's End, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching on thick, rough, cream wove paper
Dimensions:: Sheet: 11 13/16 × 17 1/2 inches (30 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Land's End, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving with chine collé; between first and second states on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Land's End, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 5/8 inches (21.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, smooth, beige wove paper
Dimensions:: Sheet: 13 1/2 × 17 5/8 inches (34.3 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 15/16 inches (27.3 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching with graphite; open etched state, touched proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 5/8 inches (21.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Lyme Regis, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving; first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Lake of Como, I

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. East and West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; early first proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Watchet, Somersetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 3/8 inches (28.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Rye, Sussex

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (II) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Ramsgate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (5) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Ramsgate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hythe, Kent

Creator:: Print made by George Cooke, 1781–1834
Date:: 1824
Materials & Techniques:: Etching and engraving; engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (4) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Portsmouth, Hampshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1825
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Boscastle, Cornwall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814-1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 19 1/8 inches (36.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Boscastle, Cornwall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 3/4 inches (31.1 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Folkstone, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Folkstone, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1825
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Whitstable, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching and engraving with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 9/16 inches (27.9 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Cascade of Terni

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1820
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lake of Nemi

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1818-1820
Materials & Techniques:: Etching and engraving with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 11 5/8 inches (19.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (bc) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 40 1/2 × 11 11/16 inches (102.9 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Tours, Looking Backwards

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and engraving; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 × 11 3/4 inches (21.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and red chalk or gouache; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Saint Denis

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, crem wove paper
Dimensions:: Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Line engraving with graphite on smooth, thick, cream wove paper
Dimensions:: Sheet: 7 1/16 × 11 3/4 inches (17.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques line engraving

Associated Places Europe

Width [cm] 30

Search Results

1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

2. The First Stage of Cruelty: Children Torturing Animals

3. Château de la Mailleraie

4. Poole, Dorsetshire

5. St. Michael's Mount, Cornwall

6. Teignmouth, Devon

7. Lago Maggiore

8. Lake of Como, I

9. Château of Amboise

10. Havre

11. Poole, Dorsetshire

12. Poole, Dorsetshire

13. St. Michael's Mount, Cornwall

14. Land's End, Cornwall

15. Land's End, Cornwall

16. Land's End, Cornwall

17. Lulworth Cove, Dorset

18. Lulworth Cove, Dorset

19. Lulworth Cove, Dorset

20. Lulworth Cove, Dorset

21. Lyme Regis, Dorsetshire

22. Lake of Como, I

23. The Mew Stone at the Entrance of Plymouth Sound

24. Plymouth from Mount Batten

25. East and West Looe, Cornwall

26. Ilfracombe, North Devon

27. Watchet, Somersetshire

28. Fowey, Cornwall

29. Fowey, Cornwall

30. Torbay from Brixham

31. Rye, Sussex

32. St. Mawes, Cornwall

33. Clovelly Bay and Lundy Island

34. Ramsgate, Kent

35. Hythe, Kent

36. Ramsgate, Kent

37. Hythe, Kent

38. Coombe-Martin, Devonshire

39. Portsmouth, Hampshire

40. Boscastle, Cornwall

41. Boscastle, Cornwall

42. Folkstone, Kent

43. Folkstone, Kent

44. Whitstable, Kent

45. The Rialto, Venice

46. Cascade of Terni

47. Rome, Bridge, and Castle of St. Angelo, on the Tyber

48. Rome, Bridge, and Castle of St. Angelo, on the Tyber

49. Lake of Nemi

50. Florence, from the Ponte alla Carraia

51. Château of Amboise

52. Tours, Looking Backwards

53. St. Germains

54. St. Germains

55. Saint Denis

56. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave