Materials & Techniques: line engraving / Image Available: Available / Height [cm]: 38

Print made by George Stubbs, 1724–1806

A Horse Affrighted by a Lion

1777

William Hogarth, 1697–1764

The Bruiser

1763

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Jacobsz Delff, 1580–1638

Michael Mirevelt

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674

Ioannes T'Serclaes

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674

Cornelius Poelenbourch

ca. 1635

Print made by Paulus Pontius, 1603–1658

Gerardus Hontborst

ca. 1635

Print made by Paulus Pontius, 1603–1658

Palamedes Palamedessen

ca. 1635

Print made by Paulus Pontius, 1603–1658

Theodorus Rombouts

ca. 1635

Print made by Paulus Pontius, 1603–1658

Cæsar Alexander Scaglia

ca. 1635

Print made by Paulus Pontius, 1603–1658

Henricus Steenwyck

ca. 1635

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

Vale of Heathfield, Sussex

1818

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by Samuel Rawle, 1771–1860

Gibside, County of Durham

1819

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Landseer, 1769–1852

Fall of the Tees

1821

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by John Pye, 1782–1874

Paestum (vignette)

1830

Print made by James C. Allen, active 1821–1831

Lowestoffe

ca. 1830

Print made by John Landseer, 1769–1852

Alum Bay, Isle of Wight

1799

Print made by James Basire the younger, 1769–1822

Inside View of the East End of Merton College Chapel

1802

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1808

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by George Cooke, 1781–1834

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by Henry Le Keux, 1787–1868

Heriot's Hospital

1822

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by John Horsburgh, 1791–1869

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Landseer, 1769–1852

Orchard Bay

1799

Print made by John Landseer, 1769–1852

Alum Bay and the Needles

1799

Print made by John Landseer, 1769–1852

Shanklin Castle

1799

Print made by John Landseer, 1769–1852

Cowes

1799

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by William Bernard Cooke, 1778–1855

The Spot where Harold Fell

1816

Print made by George Cooke, 1781–1834

Antiquities at Pola, Frontispiece

1818

Print made by Edward Goodall, 1795–1870

Florence (vignette)

1830

Print made by James T. Willmore, 1800–1863

Penmaen Mawr, Caernarvonshire

1832

Etched by Samuel Middiman, ca. 1750–1831

The Temple of Jupiter in the Island of Aegina

1828

Etched by Samuel Middiman, ca. 1750–1831

The Temple of Jupiter in the Island of Aegina

1828

Print made by Richard Cooper the Younger, 1740–1814

Sir William Beechey, R. A

1814

Print made by James Basire the younger, 1769–1822

Plate XI: St Stephen's Chapel

1795

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

William Henry Toms, ca. 1700–ca. 1750

The South - West View of the Parish Church of Ecton in Northamptonshire

1749

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1833

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate X: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Print made by Robert Pollard, 1755–1838

View of London Bloomsbury Square

1787

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Robert Pollard, 1755–1838

View of Hanover Square

1787

Print made by James Basire, 1730–1802

Plate XII: St Stephen's Chapel

1795

Print made by Thomas Talbot Bury, 1811–1877

Elevation of the River Front

ca. 1835

Print made by Jacobus Houbraken, 1698–1780

James Graham Marquess of Montrose

1740

Print made by Charles Rolls, 1800–active 1830

The Wayside in Italy

ca. 1883

Print made by Charles Mosley, c.1720–c.1770

O the Roast Beef of Old England, &c

1749

Print made by Bernard Baron, 1696–1762

Marriage à la Mode, Plate 3

1745

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 5

1745

Print made by Jacobus Houbraken, 1698–1780

Thomas Wentworth, 1st Earl of Stratford

1740

Print made by Jacobus Houbraken, 1698–1780

William Russell, Earl of Bedford

1738

Print made by John Landseer, 1769–1852

Casade of Terni

1819

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard. No. 1

1830

Print made by Robert Wallis, 1794–1878

St. Maurice

1827

Print made by Henry Le Keux, 1787–1868

Aosta

1830

Print made by William Bernard Cooke, 1778–1855

Martigny

1830

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by Edward Goodall, 1795–1870

Florence

1830

Francesco Bartolozzi, 1728–1815

Mary Queen Of Scots

1779

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

Francesco Bartolozzi, 1728–1815

Title Page: Bartolozzi's Works

1796

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by Marc Antonio Raimondi, ca. 1480–ca. 1534

Secondo Tenpio De Giove in Capitolio

1546-1590

George Vertue, 1684–1756

James Craggs, the Younger

1720

Etienne Fessard, 1714–1777

Monsieur Gaultere

undated

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by George Vertue, 1684–1756

Sir Matthew Hale

1735

Thomas Trotter, ca. 1750–1803

Lord Morpeth

1787

Print made by Robert Pollard, 1755–1838

Boys Playing at Peg Top

1786

Print made by Samuel Cousins, 1801–1887

Lady Acland and Children

1826

Print made by Lucas Vorsterman I, 1595–1675

Lucas van Uden

ca. 1635

Print made by Lucas Vorsterman I, 1595–1675

Catharinæ Howard

ca. 1635

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Materials & Techniques line engraving

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Height [cm] 38

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Materials & Techniques line engraving

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Height [cm] 38

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