Materials & Techniques: line engraving / Height [cm]: 26 / Width [cm]: 36

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Materials & Techniques line engraving

Height [cm] 26

Width [cm] 36

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by W. E. Albutt, active 1836–1863

High Street, Oxford (small replica)

1828

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Paul Fourdrinier, 1698–1758

A Sea Engagement between the English and Algerines

ca. 1743

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by Remi Parr, active 1723–1750

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

Print made by unknown artist

Key to Life School at the Royal Academy

1794

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1819-1826

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