Materials & Techniques: line engraving / Height [cm]: 31 / Image Use: Free to Use

Print made by William Hogarth, 1697–1764

A Rake's Progress, Plate VII: In Fleet Street Prison

1735

Print made by William Hogarth, 1697–1764

A Rake's Progress, Plate 8

1735

Print made by William Hogarth, 1697–1764

Tail Piece, or the Bathos

1764

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 2

1732

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 4

1732

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by John Landseer, 1769–1852

Cascade of Terni

1818-1820

Print made by John Landseer, 1769–1852

Fall of the Tees

1821

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1818-1823

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by John Le Keux, 1783–1846

Rome, from the Farnese Gardens

1818-1820

Print made by Edward Francis Finden, 1791–1857

Gibraltar

1832-1834

Print made by Edward Francis Finden, 1791–1857

Negropont

1832-1834

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by William Finden, 1787–1852

Rhodes

1833

Print made by James C. Allen, active 1821–1831

Orford Castle and St. George's Tower

ca. 1830

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Elevations

undated

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1834

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by William Miller, 1796–1882

The Dead Eagle - Oran

1837

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by James T. Willmore, 1800–1863

Nantes

1828-1837

Print made by Edward Goodall, 1795–1870

Florence from the Chiesa al Monte

1831

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by James T. Willmore, 1800–1863

Nantes

1828-1837

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Alexander Bannerman, ca. 1730–1780

Simon Du Bois

undated

Alexander Bannerman, ca. 1730–1780

Sevonyans and Herbert Tuer

1762

Print made by Edward Goodall, 1795–1870

Traitor's Gate - Tower of London

1834

Print made by Robert Brandard, 1805–1862

Rietz near Saumur

1833

Print made by Paul Fourdrinier, 1698–1758

A Sea Engagement between the English and Algerines

ca. 1743

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by William Finden, 1787–1852

The Drachenfels

1833

Print made by James T. Willmore, 1800–1863

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by George T Doo, 1800–1886

John Greenhill

undated

Alexander Bannerman, ca. 1730–1780

Sir Toby Matthews

undated

Alexander Bannerman, ca. 1730–1780

Van Diest and Le Piper

undated

Print made by James Baylis Allen, 1803–1876

Havre

1834

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Alexander Bannerman, ca. 1730–1780

Murray

undated

Print made by Thomas Chambars, ca. 1724–1789

Cornelius Ketel

undated

Print made by Thomas Higham, 1796–1844

Rouen Cathedral

1834

Print made by Remi Parr, active 1723–1750

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

undated

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by unknown artist

Caractacus before Claudius

1816

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1819

Print made by John Landseer, 1769–1852

Casade of Terni

1819

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

unknown artist

Van-Dyck (Antoine), Peintre + 1641

Alexander Bannerman, ca. 1730–1780

Robert White, P. Vansomer, Isaac Becket, John Start and William Elder

undated

Alexander Bannerman, ca. 1730–1780

Hamlet Winstanley

undated

Alexander Bannerman, ca. 1730–1780

Francis Wouters

undated

Alexander Bannerman, ca. 1730–1780

Gerard Zoust, Edema and Grifiere

undated

Francois Vivares, 1709–1780

The Lodge and Garden from the Great Lake

1772

Francois Vivares, 1709–1780

The Moat Island

1772

Alexander Bannerman, ca. 1730–1780

Verrio

undated

Print made by George Cooke, 1781–1834

Brighthelmstone, Sussex

1825

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The Spot where Harold Fell

1819

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

Print made by John Landseer, 1769–1852

High Force or Fall of the Tees

1821

Print made by John Scott, 1774–1828

Aysgarth Force

1820

Print made by James Basire the younger, 1769–1822

Inside View of the East End of Merton College

1802

Print made by James Basire the younger, 1769–1822

A View of the Chapel and Hall of Oriel College

1801

Print made by Samuel Cousins, 1801–1887

The Countess of Blessington

1837

Print made by Samuel Cousins, 1801–1887

The Calmady Children

1835

Print made by William Faithorne, ca. 1620–1691

Francesca Bridges Filia Domini Cavendish et Dotissa Exoniæ Comitissa

1670

James Fittler, 1758–1835

Sir John Borlase Warren

1799

John Keyse Sherwin, c.1751–1790

Captain James Cook

1784

George Vertue, 1684–1756

James Craggs, the Younger

1720

Thomas Major, 1714–1799

Lady Charlotte Finch (née Fermor)

1755

George Vertue, 1684–1756

Sir Robert Harley

1737

James Basire the younger, 1769–1822

Benjamin Hoadly, Bishop of Winchester

1771

Print made by George Vertue, 1684–1756

Sir Matthew Hale

1735

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 1

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 4

1773

Print made by Thomas Higham, 1796–1844

Rouen Cathedral

1834

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1834

Print made by John Horsburgh, 1791–1869

Bermerside

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by Edward Goodall, 1795–1870

Florence

1827

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Materials & Techniques line engraving

Height [cm] 31

Image Use Free to Use

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Materials & Techniques line engraving

Height [cm] 31

Image Use Free to Use

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