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Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

Height [cm] 31

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Subject Terms landscape

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Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rietz, near Saumur
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/4 inches (30.5 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection