Materials & Techniques: line engraving / Height [cm]: 37 / Image Use: Free to Use

Print made by William Hogarth, 1697–1764

Hogarth Painting the Comic Muse

1764

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater (1787-1801)

1800

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Print made by Paulus Pontius, 1603–1658

Gerardus Hontborst

ca. 1635

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Whitby

ca. 1830

Print made by James Basire the younger, 1769–1822

A View of the Chapel and Hall of Oriel College

1807

Print made by James S. Storer, 1771–1853

Part of Balliol College Quadrangle

1809

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by Joseph Powell, 1780–1834

Winchester Cross

1800

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Mark Catesby An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Print made by Mark Catesby, 1682–1749

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

1754

Print made by Elizabeth Blackwell, died 1774

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by James Basire, 1730–1802

George Gower

1800

William Camden Edwards, 1777–1855

Nicholas Revett

1827

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1833

Print made by James Basire, 1730–1802

Plate IX: St Stephen's Chapel

1795

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by Edward Goodall, 1795–1870

Greenwich Hospital

1834

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

Print made by Edward Goodall, 1795–1870

Smailholm Tower (Vignette)

1834

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by unknown artist

Edward Montague Lord Kimbolton

ca. 1740

Print made by Jacobus Houbraken, 1698–1780

George Lord Digby Earl of Bristol

1738

Print made by Jacobus Houbraken, 1698–1780

Sir Kenelm Digby

1748

Print made by George Vertue, 1684–1756

Edward Sackville, Earl of Dorset, Lord Chamberlain

1742

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

Print made by James Charles Armytage, 1802–1897

Sir David Wilkie

after 1829

Peter P. Benazech The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Print made by Peter P. Benazech, 1767–1794

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

ca. 1760

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

Print made by unknown artist

Panthei Fidelissime Dimensi Exterior et Interior

1553

George Vertue, 1684–1756

James Craggs, the Younger

1720

Etienne Fessard, 1714–1777

Monsieur Gaultere

undated

Print made by Samuel Cousins, 1801–1887

Mrs. Lister

1834

Print made by Samuel Cousins, 1801–1887

Lady Acland and Children

1826

Print made by William Sharp, 1749–1824

William Sharp

1817

Print made by William Henry Worthington, ca. 1790–active 1839

Sir Humphrey Davy

1827

Print made by John Boydell, 1720–1804

The Boscawen and Sheerness Privateers

1753

Print made by Paulus Pontius, 1603–1658

Maria dei Gratia Princeps, Comes Arenbergiæ

1645

Print made by Pieter de Jode II, ca. 1606–1674

Ferdinandus Austriacus

ca. 1635

Jacobus Houbraken, 1698–1780

Robert Devareux, 2nd Earl of Essex

1738

Jacobus Houbraken, 1698–1780

Thomas Fairfax, 3rd Lord Fairfax of Cameron

1738

Simon Gribelin, 1662–1733

Sir James Butler, 2nd Duke of Ormonde

1713

unknown artist

Sir Walter Raleigh

undated

George Vertue, 1684–1756

Edmund Spenser

1727

George Vertue, 1684–1756

Sir Philip Sidney

1741

Jacobus Houbraken, 1698–1780

Lieutenant General Thomas Talmash

undated

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by James Charles Armytage, 1802–1897

The Monk

between 1833 and 1853

Print made by Thomas Bowles, ca. 1712–died 1753

A View of Somerset House with St. Mary's Church

undated

James H. Kernot, active early 19th century

Bank of England Royal Exchange

1800

James H. Kernot, active early 19th century

Bank of England Royal Exchange

1800

William Woollett, 1735–1785

View of the Walton Bridge, Venus's Temple

1757

Print made by Edward Goodall, 1795–1870

Smailholm Tower (Vignette)

1834

Print made by John Horsburgh, 1791–1869

Ashestiel (Vignette)

1834

Print made by William John Cooke, 1797–1865

Newark Castle (vignette)

1834

Print made by William Miller, 1796–1882

Loch Achray (Vignette)

1834

Print made by Edward Webb, active 1805–1854

Bowes Tower (Vignette)

1834

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower (Vignette)

1834

Print made by John Horsburgh, 1791–1869

Bemerside Tower (Vignette)

1834

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Print made by John Horsburgh, 1791–1869

Mayburgh (Vignette)

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Joseph Ryland A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers

Print made by Joseph Ryland, active ca. 1775–1790

A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers

undated

Print made by Paulus Pontius, 1603–1658

Carolus de Columna

ca. 1635

Print made by Paulus Pontius, 1603–1658

Cornelius Vander Geest

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674

Quintinus Simons

ca. 1635

Print made by Jacobus Neeffs, 1610–after 1660

Martinus Rychart

ca. 1635

Print made by William Elliot, active 1774, died 1792

Kew: The White House, Orangery, and Temple of Arethusa

ca. 1760

Print made by Benoit Audran, 1661–1721

Guillaume Laud

undated

J. Miller, active 1769–1825

The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

1762

Print made by unknown artist

Edward Montague Lord Kimbolton

ca. 1740

Robert Rich, Earl of Warwick

1747

Jacobus Houbraken, 1698–1780

Benjamin Johnson

1738

Print made by Thomas Abiel Prior, 1809–1886

Heidelberg from the Opposite bank of the Neckar

1846

Print made by Thomas Abiel Prior, 1809–1886

Heidelberg from the Opposite Bank of the Neckar

1846

Print made by Jean Marie Delatre, 1746–1840

The Death of Mark Antony

1805

Print made by P. Crotchet, active 1768

Grown Ladies Taught to Dance

1768

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Materials & Techniques line engraving

Height [cm] 37

Image Use Free to Use

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Materials & Techniques line engraving

Height [cm] 37

Image Use Free to Use

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