Materials & Techniques: line engraving / Height [cm]: 39 / Image Use: Free to Use

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

Print made by William Hogarth, 1697–1764

Marriage à la Mode, Plate 6

1745

Print made by William Hogarth, 1697–1764

Simon Lord Lovat

1746

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by Paulus Pontius, 1603–1658

Paulus Pontius

ca. 1635

Print made by John Boydell, 1720–1804

Noon

1753

Print made by John Boydell, 1720–1804

A Calm

1754

Print made by William Bernard Cooke, 1778–1855

The Vale of Ashburnham

1816

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1818-1823

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Print made by Edward Francis Finden, 1791–1857

Genoa

1832-1834

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by George Cooke, 1781–1834

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by John Landseer, 1769–1852

Freshwater Bay

1799

Print made by James Basire the younger, 1769–1822

South View of Christ Church, etc. from the Meadows

1799

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by Benjamin Green, ca. 1736–ca. 1800

Oxford Physic Garden

1766

Print made by Edward Goodall, 1795–1870

Valombre

1834

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by William Richardson, active 1842–1877

Crossing the Brook

between 1859 and 1861

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 4

1745

Print made by Gerard Jean Baptiste Scotin, 1671–1716

Marriage à la Mode, Plate 1

1745

John Wood, 1728–1781

The View from One Tree Hill in Greenwich Park

1744

Francesco Bartolozzi Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Print made by Francesco Bartolozzi, 1728–1815

Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

1788

Print made by Johann Friedrich Bause, 1738–1814

Girl Smiling

1784

Print made by Samuel Cousins, 1801–1887

Julia, Lady Peel

1832

Print made by Samuel Cousins, 1801–1887

Sunshine of Love

1837

Print made by Ambrogio Brambilla, active ca. 1579–1599

Pantheum Romanum nunc Mariae Cognomento

between 1581 and 1586

Print made by Ambrogio Brambilla, active ca. 1579–1599

Insula Tiberina

1582

Print made by Etienne Dupérac, ca. 1535–1604

Insula Tiberina

1582

George Vertue, 1684–1756

Lionel Cranfield Sackville, 1st Duke of Dorset

1732

Print made by Daniel Wilson, 1816–1892

Ancient Carthage - The Embarcation of Regulus

1840

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Pantheum Romanum nunc Mariae Cognomento

1549

Print made by Agostino Veneziano, active 1509–1536

Primum Tenplum Iovis in Capitolio

between 1514 and 1536

Print made by John Browne, 1741–1801

The Sportsman

1775

Print made by James C. Allen, active 1821–1831

Dunwich, Suffolk

ca. 1830

Print made by George Dawe, 1781–1829

Miss Mary Anne Kirkley

1801

Print made by unknown artist

Philippus le Roy

ca. 1635

Jacobus Houbraken, 1698–1780

Thomas Fairfax, 3rd Lord Fairfax of Cameron

1738

Jacobus Houbraken, 1698–1780

Lieutenant General Thomas Talmash

undated

Thomas Malton, 1726–1801

Principal Front of the Bank of England

1790

Francesco Bartolozzi, 1728–1815

Reverend Hugh Blair, D.D

1801

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Robert Pollard, 1755–1838

The Hermitage of Warkworth

1787

Print made by William Woollett, 1735–1785

The Fishery

1768

Print made by Paulus Pontius, 1603–1658

Nicolaus Rockox

1639

Print made by Wenceslaus Hollar, 1607–1677

Alathea Talbot

1646

Print made by Peeter Clouwet, 1629–1670

Christophorus vander Lamen

ca. 1635

Print made by Peeter Clouwet, 1629–1670

D. Anna Wake

ca. 1635

Print made by Robert van Voerst, 1597–1636

Christiano, Duci Brunsuicensi

ca. 1635

Print made by Robert van Voerst, 1597–1636

Inigo Iones

ca. 1635

Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753