Materials & Techniques: line engraving / Height [cm]: 40 - YCBA Collections Search Search Results

1. The Bruiser

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

2. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Portrait of Fuseli

Creator:: Print made by William Bromley, 1769–1842
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 11/16 x 11 inches (39.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Night

Creator:: Print made by John Boydell, 1720–1804
Date:: 1756
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 1/4 inches (39.7 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Wreck of the Nuestra Senora de los Remedios

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. South East View of tLand-Guard Fort, in Suffolk

Creator:: Thomas Major, 1714–1799
Date:: 1754
Materials & Techniques:: Line engraving on thick, rough, cream wove paper
Dimensions:: Sheet: 15 5/8 × 23 1/2 inches (39.7 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 7/8 × 20 7/8 inches (40.3 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A View of Oxford from the Abingdon Road

Creator:: Print made by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sir William Beechey, R. A.

Creator:: Print made by Richard Cooper the Younger, 1740–1814
Date:: 1814
Materials & Techniques:: Crayon manner, stipple engraving, and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Promenade in St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 28 1/4 inches (48.6 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr

Creator:: Print made by Thomas Vivares, c.1735–c.1790
Date:: 1778
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

Creator:: Print made by James Mason, 1710–1783
Date:: 1778
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Robert Rich, 2nd Earl of Warwick

Creator:: Print made by Jacobus Houbraken, 1698–1780
Date:: 1747
Materials & Techniques:: Line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

53. Girl Smiling

Creator:: Print made by Johann Friedrich Bause, 1738–1814
Date:: 1784
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 11 3/8 inches (39.6 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. Theatrum Sive Coliseum Romanum

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1538
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 7/8 × 22 7/8 inches (42.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Caligula's Palace and Bridge

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and line engraving, first published state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Caligula's Palace and Bridge

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Templi Ignoti, Sed ex eius Fragmentis

Creator:: Print made by unknown artist
Date:: between 1546 and 1562
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 13 1/8 inches (40.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum

Creator:: Print made by unknown artist
Date:: 1547
Materials & Techniques:: Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 × 11 7/8 inches (41.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Lord Morpeth

Creator:: Thomas Trotter, ca. 1750–1803
Date:: 1787
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 × 11 1/4 inches (40.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Mrs. Quarrington as St. Agnes

Creator:: Thomas Chambars, ca. 1724–1789
Date:: 1787
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 14 3/4 inches (49.2 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Sportsman

Creator:: Print made by John Browne, 1741–1801
Date:: 1775
Materials & Techniques:: Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Miss Mary Anne Kirkley

Creator:: Print made by George Dawe, 1781–1829
Date:: 1801
Materials & Techniques:: Mezzotint and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 11 15/16 inches (40.3 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Master Henry Thomas Hope

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1836
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. A French Petit Maître and His Valet

Creator:: Charles Grignion, 1717–1810
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper, pasted on medium, moderately textured, cream Asian paper
Dimensions:: Mount: 16 1/4 x 11 5/16 inches (41.3 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Creator:: Robert Pollard, 1755–1838
Date:: 1790
Materials & Techniques:: Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. James Craggs the Elder

Creator:: George Vertue, 1684–1756
Date:: 1728
Materials & Techniques:: Line and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 13/16 × 11 9/16 inches (40.2 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Cape of Good Hope

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Fort St. George

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Adrianus Brauwer

Creator:: Print made by Schelte A. Bolswert, 1586–1659
Date:: ca. 1635
Materials & Techniques:: Stipple engraving and line engraving, (4th state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 1/4 inches (40.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Simon Vouet

Creator:: Print made by Robert van Voerst, 1597–1636
Date:: ca. 1635
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 9/16 × 10 1/4 inches (39.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto

Creator:: Print made by Hendrick van Schoel, died 1622
Date:: 1548
Materials & Techniques:: Line engraving with etching on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 13 3/4 inches (40.3 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Carnarvon Castle

Creator:: William Byrne, 1743–1805
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Double Deliverance, 1588–1605

Creator:: Print made by unknown artist
Date:: 1621
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 20 1/2 inches (39.7 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Merchant Taylors' School and St. Paul's School

Creator:: Print made by Benjamin Cole, 1697–1783
Date:: 1756
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 9 5/8 inches (39.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Summit of Cader Idris Mountain

Creator:: Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Snowden Hill

Creator:: William Woollett, 1735–1785
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Sir William Ffienlez Knight

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 7/8 × 11 1/8 inches (40.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Pospero Disarming Ferdinand from The Tempest, Act I, Scene II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 × 17 7/8 inches (40 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Italy - Childe Harold's Pilgrimage

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1861
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 30 1/4 inches (52.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques line engraving

Height [cm] 40

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1. The Bruiser

2. Hogarth Painting the Comic Muse

3. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

4. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

5. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

6. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

7. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

8. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

9. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

10. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

11. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

12. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

13. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

14. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

15. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

16. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

17. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

18. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

19. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

20. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

21. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

22. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

23. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

24. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

25. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

26. Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

27. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

28. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

29. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

30. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

31. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

32. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

33. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

34. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

35. Portrait of Fuseli

36. Night

37. The Wreck of the Nuestra Senora de los Remedios

38. South East View of tLand-Guard Fort, in Suffolk

39. Weathercote Cave when Half Filled with Water

40. Richmond, Yorkshire

41. Folkestone: Harbour, and Coast to Dover, Kent

42. A View of Oxford from the Abingdon Road

43. Tivoli, a Composition

44. Tivoli, a Composition

45. Sir William Beechey, R. A.

46. Plate IX: St Stephen's Chapel

47. Plate X: St Stephen's Chapel

48. The Promenade in St. James's Park

49. North East View of Henry VII Chapel Westminster

50. A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr

51. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

52. Robert Rich, 2nd Earl of Warwick

53. Girl Smiling

54. Theatrum Sive Coliseum Romanum

55. Caligula's Palace and Bridge

56. Caligula's Palace and Bridge

57. Templi Ignoti, Sed ex eius Fragmentis

58. Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum

59. Lord Morpeth

60. Mrs. Quarrington as St. Agnes

61. The Sportsman

62. Oxford from North Hinksey

63. Miss Mary Anne Kirkley

64. Master Henry Thomas Hope

65. A French Petit Maître and His Valet

66. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

67. James Craggs the Elder

68. A View from Richmond Hill Up the River

69. The Cape of Good Hope

70. Fort St. George

71. Adrianus Brauwer

72. Simon Vouet

73. Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto

74. Carnarvon Castle