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William Hogarth Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
Print made by William Hogarth, 1697–1764
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
William Hogarth Plate 1, The Fellow 'Prentices at their Looms
Print made by William Hogarth, 1697–1764
Plate 1, The Fellow 'Prentices at their Looms
1747
William Hogarth Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
Print made by William Hogarth, 1697–1764
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
William Hogarth Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
Print made by William Hogarth, 1697–1764
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
William Hogarth Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
Print made by William Hogarth, 1697–1764
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
William Hogarth Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
Print made by William Hogarth, 1697–1764
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
William Hogarth Plate 11, The Idle 'Prentice Executed at Tyburn
Print made by William Hogarth, 1697–1764
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
William Hogarth Plate 12, The Industrious 'Prentice Lord Mayor of London
Print made by William Hogarth, 1697–1764
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Hogarth Marriage à la Mode, Plate 6
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
William Hogarth Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
Print made by William Hogarth, 1697–1764
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
William Hogarth Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
Print made by William Hogarth, 1697–1764
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
William Hogarth Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
Print made by William Hogarth, 1697–1764
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Hogarth Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
Print made by William Hogarth, 1697–1764
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
William Hogarth The Invasion, Plate 1: France
Print made by William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
William Hogarth A Rake's Progress, Plate 8
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8
1735
William Hogarth A Harlot's Progress, Plate 3
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 3
1732
William Hogarth Paul Before Felix
Print made by William Hogarth, 1697–1764
Paul Before Felix
1752
William Hogarth The Stage-Coach, or the Country Inn Yard
Print made by William Hogarth, 1697–1764
The Stage-Coach, or the Country Inn Yard
1747
William Hogarth Tail Piece, or the Bathos
Print made by William Hogarth, 1697–1764
Tail Piece, or the Bathos
1764
William Hogarth The Invasion, Plate 2: England
Print made by William Hogarth, 1697–1764
The Invasion, Plate 2: England
1756
William Hogarth A Harlot's Progress, Plate 1
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 1
1732
William Hogarth A Harlot's Progress, Plate 6
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 6
1732
William Hogarth A Harlot's Progress, Plate 5
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 5
1732
William Hogarth Emerald Vessel
Print made by William Hogarth, 1697–1764
Emerald Vessel
1723
William Hogarth Paul Before Felix Burlesqued
Print made by William Hogarth, 1697–1764
Paul Before Felix Burlesqued
1751
William Hogarth A Midnight Modern Conversation
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
William Hogarth After
Print made by William Hogarth, 1697–1764
After
1736
William Hogarth Before
Print made by William Hogarth, 1697–1764
Before
1736
William Hogarth A Harlot's Progress, Plate 2
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 2
1732
William Hogarth A Harlot's Progress, Plate 4
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 4
1732
William Bernard Cooke Martigny (vignette)
Print made by William Bernard Cooke, 1778–1855
Martigny (vignette)
1830
Henry Le Keux Villa Madama (vignette)
Print made by Henry Le Keux, 1787–1868
Villa Madama (vignette)
1830
William Finden The Tear
William Finden, 1787–1852
The Tear
1834
Edward Goodall The Lake of Geneva
Print made by Edward Goodall, 1795–1870
The Lake of Geneva
1829
William Angus Fonthill House, Wiltshire
Print made by William Angus, 1752–1821
Fonthill House, Wiltshire
1800
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1830
Edward Goodall A Village Fair
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
Edward Goodall Florence (vignette)
Print made by Edward Goodall, 1795–1870
Florence (vignette)
1830
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Frontispiece: Hercules Fighting the Hydra
Print made by Francesco Curti, 1610–1690
Frontispiece: Hercules Fighting the Hydra
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
Gerard de Jode De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
Print made by Gerard de Jode, born 1509 or 1517, died 1591
De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
between 1546 and 1590
Edward Goodall The Gipsy
Print made by Edward Goodall, 1795–1870
The Gipsy
1834
James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
John Cousen Light Towers of the Heve, vignette for title page
Print made by John Cousen, 1804–1880
Light Towers of the Heve, vignette for title page
1834
Edward Goodall Greenwich Hospital
Print made by Edward Goodall, 1795–1870
Greenwich Hospital
1834
William Miller Between Clairmont and Mauves
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Henry Winstanley Edystone Lighthouse
Print made by Henry Winstanley, 1644–1703
Edystone Lighthouse
between 1699 and 1708
Jacobus Houbraken Charles Lord Talbot, Lord High Chancellor
Print made by Jacobus Houbraken, 1698–1780
Charles Lord Talbot, Lord High Chancellor
1739
Francesco Bartolozzi View of the Inside of the Vestibulum
Print made by Francesco Bartolozzi, 1728–1815
View of the Inside of the Vestibulum
1764
Charles Mosley O the Roast Beef of Old England, &c.
Print made by Charles Mosley, c.1720–c.1770
O the Roast Beef of Old England, &c
1749
Simon François Ravenet Marriage à la Mode, Plate 4
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 4
1745
Gerard Jean Baptiste Scotin Marriage à la Mode, Plate 1
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Marriage à la Mode, Plate 1
1745
Bernard Baron Marriage à la Mode, Plate 3
Print made by Bernard Baron, 1696–1762
Marriage à la Mode, Plate 3
1745
Simon François Ravenet Marriage à la Mode, Plate 5
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 5
1745
Giovanni Giacomo de Rossi Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
Published by Giovanni Giacomo de Rossi, 1627–1691
Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
between 1546 and 1590
Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
Gerard de Jode Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
between 1546 and 1590
Gerard de Jode Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
between 1546 and 1590