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Materials & Techniques line engraving

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Width [cm] 20

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Subject Terms landscape (representation)

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Edward Francis Finden Bolton Abbey, Wharfdale
Print made by Edward Francis Finden, 1791–1857
Bolton Abbey, Wharfdale
1826
W. R. Smith Lago Maggiore
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828 to 1837
Robert Wallis Lake Albano
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Berwick on Tweed
Print made by William Miller, 1796–1882
Berwick on Tweed
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
William Miller Dryburgh
Print made by William Miller, 1796–1882
Dryburgh
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
W. R. Smith Lago Maggiore
Print made by W. R. Smith, active 1819–1851
Lago Maggiore
1828
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834