Materials & Techniques: line engraving / Width [cm]: 30 / Topic subjectplace ss: Europe

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by John Horsburgh, 1791–1869

Whitstable, Kent

1814 to 1826

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Landseer, 1769–1852

Cascade of Terni

1818-1820

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carria

1818-1820

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by James Baylis Allen, 1803–1876

Havre

1834

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

The Mewstone, Entrance of Plymouth Sound

1815

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lyme Regis

1814

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1815

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by William Bernard Cooke, 1778–1855

Plymouth, from Mount Batten

1817

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by George Hollis, 1792–1842

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by George Hollis, 1792–1842

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828-1837

Print made by Robert Wallis, 1794–1878

Tours - looking backwards

1833

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1860

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Materials & Techniques line engraving

Width [cm] 30

Topic subjectplace ss Europe

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Materials & Techniques line engraving

Width [cm] 30

Topic subjectplace ss Europe

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