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William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake The Baffled Devils Fighting (Plate 3)
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
James Caldwall The Cotillion Dance
Print made by James Caldwall, 1739–1819
The Cotillion Dance
1771
Samuel Cousins The Countess of Blessington
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
Samuel Cousins Master Henry Thomas Hope
Print made by Samuel Cousins, 1801–1887
Master Henry Thomas Hope
1836
William Henry Worthington Sir Humphrey Davy
Print made by William Henry Worthington, ca. 1790–active 1839
Sir Humphrey Davy
1827
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
John Henry Robinson The Mantilla
John Henry Robinson, 1796–1871
The Mantilla
1838
James Tibbits Willmore Farne Island - Shipwreck
Print made by James Tibbits Willmore, 1800–1863
Farne Island - Shipwreck
1853-1874
Charles Picart Reverend Beilby Porteus, Lord Bishop of London
Charles Picart, c.1780–1837
Reverend Beilby Porteus, Lord Bishop of London
1809
William Miller Pont-Neuf, Paris
Print made by William Miller, 1796–1882
Pont-Neuf, Paris
1835
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
W. R. Smith Heriot's Hospital
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
Thomas Jeavons Worcester, Worcestershire
Print made by Thomas Jeavons, ca. 1800–1867
Worcester, Worcestershire
1835
W. R. Smith Beaumaris, Isle of Anglesea
Print made by W. R. Smith, active 1819–1851
Beaumaris, Isle of Anglesea
1836
W. R. Smith Beaumaris, Isle of Anglesea
Print made by W. R. Smith, active 1819–1851
Beaumaris, Isle of Anglesea
1836
W. R. Smith Longships Lighthouse, Lands End
Print made by W. R. Smith, active 1819–1851
Longships Lighthouse, Lands End
1836
W. R. Smith Harlech Castle, North Wales
Print made by W. R. Smith, active 1819–1851
Harlech Castle, North Wales
1836
Thomas Jeavons Kidwelly Castle, South Wales
Print made by Thomas Jeavons, ca. 1800–1867
Kidwelly Castle, South Wales
1837
W. R. Smith Whitehaven, Cumberland
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
unknown artist Divo Antonino et Divae Faustinae
Print made by unknown artist
Divo Antonino et Divae Faustinae
1565
unknown artist Templi Ignoti, Sed ex eius Fragmentis
Print made by unknown artist
Templi Ignoti, Sed ex eius Fragmentis
between 1546 and 1562
unknown artist Iani Quadrifrontis Templum in Foro Boario
Print made by unknown artist
Iani Quadrifrontis Templum in Foro Boario
1564
unknown artist A Ground Plan of Bermondsey Abbey
unknown artist
A Ground Plan of Bermondsey Abbey
1822
Bartholomew Howlett North Front of Bedford House, Bloomsbury Square
Bartholomew Howlett, 1767–1827
North Front of Bedford House, Bloomsbury Square
1822
unknown artist Theatrum Sive Coliseum Romanum
Print made by unknown artist
Theatrum Sive Coliseum Romanum
1547 to 1560
Edward Goodall Caligula's Palace and Bridge, Bay of Baiæ
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1838-1854
William Miller The Shipwreck
Print made by William Miller, 1796–1882
The Shipwreck
between 1859 and 1861
James Charles Armytage Dutch Boats in a Gale
Print made by James Charles Armytage, 1802–1897
Dutch Boats in a Gale
between 1859 and 1861
Charles W. Sharpe A Country Blacksmith
Print made by Charles W. Sharpe, active 1858–1883
A Country Blacksmith
between 1859 and 1861
John Cousen Fishing Boats, a Coast Scene
Print made by John Cousen, 1804–1880
Fishing Boats, a Coast Scene
between 1859 and 1861
Thomas Abiel Prior The Goddess of Discord
Print made by Thomas Abiel Prior, 1809–1886
The Goddess of Discord
between 1859 and 1861
Charles Cousen Abingdon
Print made by Charles Cousen, ca. 1819–1889
Abingdon
between 1859 and 1861
Lumb Stocks Apollo Killing the Python
Print made by Lumb Stocks, 1812–1892
Apollo Killing the Python
between 1859 and 1861
John Cousen Hannibal Crossing the Alps
Print made by John Cousen, 1804–1880
Hannibal Crossing the Alps
between 1859 and 1861
James Tibbits Willmore Dido and Aeneas
Print made by James Tibbits Willmore, 1800–1863
Dido and Aeneas
between 1859 and 1861
James Baylis Allen Decline of Carthage
Print made by James Baylis Allen, 1803–1876
Decline of Carthage
between 1859 and 1861
William Chapman Norham Castle
Print made by William Chapman, 1817–1879
Norham Castle
1875
Robert Wallis Orange Merchantman Going to Pieces
Print made by Robert Wallis, 1794–1878
Orange Merchantman Going to Pieces
between 1859 and 1861
Arthur Willmore Rome from the Vatican
Print made by Arthur Willmore, 1814–1888
Rome from the Vatican
between 1859 and 1861
Ebenezer Challis The Arch of Titus, Rome
Print made by Ebenezer Challis, active 1837–1859
The Arch of Titus, Rome
between 1859 and 1861
Samuel Bradshaw Regulus leaving Carthage
Print made by Samuel Bradshaw, 1830–1869
Regulus leaving Carthage
between 1859 and 1861
Edward Goodall Ulysses Deriding Polyphemus
Print made by Edward Goodall, 1795–1870
Ulysses Deriding Polyphemus
between 1859 and 1861
Charles Cousen The Loretto Necklace
Print made by Charles Cousen, ca. 1819–1889
The Loretto Necklace
between 1859 and 1861
Wenceslaus Hollar Palatium Regis Prope Londinum, Vulgo Whitehall
Wenceslaus Hollar, 1607–1677
Palatium Regis Prope Londinum, Vulgo Whitehall
ca. 1647
Amedeo Gabrielli Griselda Returning to her Father
Print made by Amedeo Gabrielli, 1749–1817
Griselda Returning to her Father
after 1785
John Scott Aske Hall
Print made by John Scott, 1774–1828
Aske Hall
1821
Robert Brandard Stranded Vessel off Yarmouth
Print made by Robert Brandard, 1805–1862
Stranded Vessel off Yarmouth
between 1859 and 1861
Edward P. Brandard Apollo and Daphne in the Vale of Tempe
Print made by Edward P. Brandard, 1819–1898
Apollo and Daphne in the Vale of Tempe
between 1859 and 1861
James Charles Armytage Venice, the Bridge of Sighs
Print made by James Charles Armytage, 1802–1897
Venice, the Bridge of Sighs
between 1859 and 1861