Materials & Techniques: line engraving / Width [cm]: 36 / Subject Terms: marine art

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Materials & Techniques line engraving

Width [cm] 36

Subject Terms marine art

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 2

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 3

1773

Print made by Paul Fourdrinier, 1698–1758

A Sea Engagement between the English and Algerines

ca. 1743

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, 1743–after 1750

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by Paul Fourdrinier, 1698–1758

Sweet William's Farewell to Black Eyed Susan

undated

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1819-1826

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by Edward Goodall, 1795–1870

Old London Bridge and Vicinity

1827

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834

Brighton

1825

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