Materials & Techniques: line engraving / Width [cm]: 44 / Subject Terms: river

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carria

1818-1820

Print made by John Landseer, 1769–1852

Fall of the Tees

1821

Print made by John Landseer, 1769–1852

Fall of the Tees

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by Robert Brandard, 1805–1862

La Chaise de Gargantua near Duclair

1834

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1834

Print made by William Finden, 1787–1852

The Drachenfels

1833

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Wykeham Archer, 1808–1864

Richmondshire Castle and Town

1820

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by Robert Wallis, 1794–1878

Virginia Water No. 1

1828-1832

Print made by James T. Willmore, 1800–1863

Nantes

1828-1837

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1828-1837

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by Edward Goodall, 1795–1870

Traitor's Gate - Tower of London

1834

Print made by Thomas Jeavons, ca. 1800–1867

Canal of the Loire and Cher, near Tours

1833

Print made by Robert Wallis, 1794–1878

Tours - looking backwards

1833

Print made by Robert Wallis, 1794–1878

Tours - looking backwards

1833

Print made by William Finden, 1787–1852

The Drachenfels

1833

Print made by James Baylis Allen, 1803–1876

Château of Amboise

1833

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by William Radclyffe, 1780–1855

Hornby Castle, from Tatham Church

1822

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Landseer, 1769–1852

High Force or Fall of the Tees

1821

Print made by John Scott, 1774–1828

Aysgarth Force

1820

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by Edward Goodall, 1795–1870

Florence

1827

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by Robert Wallis, 1794–1878

Virginia Water No. 1

1828

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

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Materials & Techniques line engraving

Width [cm] 44

Subject Terms river

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Materials & Techniques line engraving

Width [cm] 44

Subject Terms river

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