Materials & Techniques: line engraving / Width [cm]: 51 / Image Use: Free to Use

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

James Parker, 1750–1805

Fainasollis, Borbar and Fingal

1783

Valentine Green, 1739–1813

The British Naval Victors

1799

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804

Morning

1753

Print made by John Boydell, 1720–1804

Evening

1755

Print made by John Boydell, 1720–1804

Greenland Fishery

1754

Print made by Charles Turner, 1774–1857

Okehampton Castle on the River Okement

1825

William Woollett, 1735–1785

View of the Walton Bridge, Venus's Temple

1757

Print made by William Miller, 1796–1882

The Prince of Orange Landing at Torbay

1852

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

George C. Finden, 1811–1885

A Mythological Battle

1853

John Boydell, 1720–1804

A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

1752

Print made by Robert Wallis, 1794–1878

Nemi

1840

Print made by James Tibbits Willmore, 1800–1863

The Old Téméraire

1845

Print made by William Miller, 1796–1882

The Rhine - Osterspey and Feltzen

1838-1852

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

Robert Pollard, 1755–1838

The Hermitage of Warkworth

1787

Print made by Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

Print made by unknown artist

The Double Deliverance, 1588–1605

1621

Print made by William Skelton, 1763–1848

Richard III: Act IV, Scene III, Tower of London

1795

Francesco Bartolozzi, 1728–1815

Certificate From The Royal Academy, Appointing John Opie, As An Academician

1788

Pierre Charles Canot, ca. 1710–1777

A Brisk Gale

ca. 1765

Francesco Bartolozzi, 1728–1815

Venus Attired By The Graces

1784

Print made by James Basire II, 1769–1822

Inside View of the East End of Merton College Chapel

1802

Print made by Samuel Rawle, 1771–1860

Raby Castle, County of Durham

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by Henry Le Keux, 1787–1868

Simmer Lake, near Askrig

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1817

Print made by Henry Le Keux, 1787–1868

Borthwick Castle

1819

Print made by George Cooke, 1781–1834

Crichton Castle

1822

Print made by John Porter, active 1838

The Chillington Oxen

1838

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754

Print made by Benjamin Green, ca. 1736–ca. 1800

Oxford Physic Garden

1766