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Materials & Techniques line engraving

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Subject Terms country house

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1. Studies, with Gardens, Possibly for a Talman Family House

Studies, with Gardens, Possibly for a Talman Family House
Creator:
Verso by John Talman, 1677–1726
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and red chalk; verso: line engraving on thick, textured, cream wove paper
Dimensions:
Sheet: 22 3/4 x 17 1/2 inches (57.8 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Lady and Her Children Relieving a Cottager

A Lady and Her Children Relieving a Cottager
Creator:
Engraved by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/16 × 21 3/4 inches (44 × 55.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Abbotsford, Large Vignette

Abbotsford, Large Vignette
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Ashestiel

Ashestiel
Creator:
Print made by William Richardson, active 1842–1877
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford

Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
Creator:
Print made by Michael "Angelo" Rooker, 1746–1801
Date:
1775
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 × 9 3/4 inches (18.6 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

7. Belvoir Castle, Rutland

Belvoir Castle, Rutland
Creator:
M. J. Starling, active 1830
Date:
1835
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 7 7/8 x 10 1/8 inches (20 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Althorp Castle, Northamptonshire

Althorp Castle, Northamptonshire
Creator:
James Redway, active 1827–1838
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Witley Court in Worcestershire, the Seat of Lord Foley

Witley Court in Worcestershire, the Seat of Lord Foley
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 9/16 inches (22.3 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 7/16 inches (13.7 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer
Creator:
Print made by unknown artist
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 9 3/16 inches (14.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection