Materials & Techniques: mezzotint / Credit Line: Yale Center for British Art, Paul Mellon Fund / Genre: marine art

Start Over

You searched for:

Materials & Techniques mezzotint

Credit Line Yale Center for British Art, Paul Mellon Fund

Genre marine art

Print made by Joseph Mallord William Turner, 1775–1851

Ship in a Storm

between 1820 and 1826

Print made by Joseph Mallord William Turner, 1775–1851

Shields Lighthouse

between 1820 and 1826

Etched by Joseph Mallord William Turner, 1775–1851

Marine Dabblers

1811

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

Print made by Samuel William Reynolds, 1773–1835

Near Namur

undated

Print made by Samuel William Reynolds, 1773–1835

Between Namur and Liege

undated

Print made by Samuel William Reynolds, 1773–1835

Namur from the Meuse

undated

Print made by Thomas Goff Lupton, 1791–1873

Bridge over Meuse at Namur

undated

Print made by Richard Earlom, 1743–1822

Hon. George Cranfield Berekley

1793

Print made by James Watson, 1740–1790

Right Hon. Augustus Hervey

1773

Print made by Richard Earlom, 1743–1822

Horatio, Lord Nelson

1798

Print made by James Watson, 1740–1790

A Storm

1767

Print made by James Watson, 1740–1790

A Storm

undated

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

Print made by William Dickinson, 1746–1823

Lord Robert Manners, Captain R.N

1783

Print made by Thomas Goff Lupton, 1791–1873

Dover

1827

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period