Materials & Techniques: mezzotint / Credit Line: Yale Center for British Art, Paul Mellon Fund / Width [cm]: 51

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Materials & Techniques mezzotint

Credit Line Yale Center for British Art, Paul Mellon Fund

Width [cm] 51

Print made by Charles Turner, 1774–1857

The Dilettanti Society

between 1800 and 1820

Print made by Edward Fisher, 1722–1785

Garrick Between Tragedy and Comedy

undated

Print made by Samuel William Reynolds, 1773–1835

Marchioness of Exeter

1803

Print made by George H. Phillips, active 1819–1825

Countess Wilton

1838

Print made by James Daniell, active ca. 1780–1820

Samuel Declareth to Eli the Judgements of God Upon his House

1805

Print made by James McArdell, ca. 1729–1765

The Tribute Money

undated

Print made by James McArdell, ca. 1729–1765

The Tribute Money

undated

Print made by James Ward, 1769–1859

Studies from Nature

1807

Print made by Robert Laurie, 1755?–1836

The Full of the Honeymoon

1789

Print made by Robert Laurie, 1755?–1836

The Wane of the Honeymoon

1789

Print made by Thomas Oldham Barlow, 1824–1889

The Huguenot: Eve of St. Bartholomew's Day, 1572

1857

Print made by John Raphael Smith, 1752–1812

Louis Philippe Joseph, Duke of Orleans

ca. 1786

Print made by Francis Haward, 1759–1797

Mrs. Siddons, in the Character of the Tragic Muse

1787

Print made by W. Pyott, active late 18th century

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

1792

Print made by Samuel Cousins, 1801–1887

Countess Grey and Children

1831

Print made by Samuel Cousins, 1801–1887

Mrs. Wolff

1831

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