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Materials & Techniques mezzotint

Remove constraint Materials & Techniques: mezzotint

Genre animal art

Remove constraint Genre: animal art

Height [cm] 31

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Shepherdess
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
ca. 1747
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 10 1/8 inches (35.9 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Coach Horses
Creator:
Print made by Edward Dayes, 1763–1804
Date:
1780s
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 28 inches (51.4 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
La Tourterelle
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 17 1/4 inches (54.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Jane Cathcart (née Hamilton), and Her Son
Creator:
James McArdell, ca. 1729–1765
Date:
1770
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Christiana Collier (née Gwyn)
Creator:
Print made by George Graham, active 1786–1813
Date:
between 1760 and 1770
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/16 × 10 3/16 inches (36 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 17 13/16 inches (34.6 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund