Materials & Techniques: mezzotint / Genre: genre subject / Width [cm]: 51 - YCBA Collections Search Search Results

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Materials & Techniques mezzotint

Genre genre subject

Width [cm] 51

1. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Creator:: Print made by W. Pyott, active late 18th century
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. The Full of the Honeymoon

The Full of the Honeymoon

Creator:: Print made by Robert Laurie, 1755?–1836
Date:: 1789
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 × 19 7/8 inches (66 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. The Wane of the Honeymoon

The Wane of the Honeymoon

Creator:: Print made by Robert Laurie, 1755?–1836
Date:: 1789
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 20 inches (66.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Countess Grey and Children

No cover image available

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint (third state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/2 × 19 7/8 inches (64.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Mrs. Wolff

No cover image available

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 26 × 20 inches (66 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund