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Materials & Techniques mezzotint

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Genre portrait

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Subject Terms baby

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Virgin and Child
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
undated
Materials & Techniques:
Color-printed mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 23 3/8 × 18 1/4 inches (59.4 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Lady and Her Children Relieving a Cottager
Creator:
Engraved by John Raphael Smith, 1752–1812
Date:
1784
Materials & Techniques:
Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/16 × 21 3/4 inches (44 × 55.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Calmady Children
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1835
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 x 10 7/16 inches (32 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Virgin and Child
Creator:
Print made by Isaac Beckett, 1652/3–1719
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 7 inches (22.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Moses in the Bulrushes
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 14 5/16 inches (29.8 x 36.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Virgin and Child
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1670 and 1690
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/16 x 6 3/16 inches (18.3 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund