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Materials & Techniques mezzotint

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Genre portrait

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Subject Terms vase

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Miss Frances Greville and her Brother as 'Hebe' and 'Cupid'
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
1762
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Sarah Bunbury Sacrificing to the Graces
Creator:
Print made by Edward Fisher, 1722–1785
Date:
ca. 1766
Materials & Techniques:
Mezzotint ( 1st state ) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 15 inches (60.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Devotion in Such Looks Does Gracefull Shine, and Forces Us to Own Her Pow'r Divine...
Creator:
Print made by John Smith, 1652–1743
Date:
1705
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 10 1/16 inches (34.9 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of Mr. James Brindley
Creator:
Robert Dunkarton, 1744–1811
Date:
1770
Materials & Techniques:
Mezzotint, first state of two with dedication printed from a separate plate
Dimensions:
Sheet: 19 1/2 x 12 7/8in. (49.5 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Edward Fisher, 1722–1785
Date:
1766
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 25 1/8 × 16 1/16 inches (63.8 × 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1782
Materials & Techniques:
Mezzotint (first state) on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 15 1/4 inches (63.8 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund