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Materials & Techniques mezzotint

Remove constraint Materials & Techniques: mezzotint

Work Type intaglio print

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Width [cm] 56

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1. Bellsane and Parcival under the Enchantment of Urma

Bellsane and Parcival under the Enchantment of Urma
Creator:
John Raphael Smith, 1752–1812
Date:
1782
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 1/16 × 24 7/8 inches (48.4 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. How a Great Daily Organ is Turned Out

How a Great Daily Organ is Turned Out
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1990
Materials & Techniques:
Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

3. The Palm Offering

The Palm Offering
Creator:
Print made by Frederick Stacpoole, 1813–1907
Date:
1868
Materials & Techniques:
Mezzotint and stipple engraving on thick, slightly textured, cream wove paper mounted on canvas
Dimensions:
Sheet: 37 3/8 × 27 3/4 inches (94.9 × 70.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

4. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

5. A Woman Swearing her Child to a Grave Citizen

A Woman Swearing her Child to a Grave Citizen
Creator:
Print made by John Young, 1755–1825
Date:
1816
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Thomas King and Mrs. Baddeley

Thomas King and Mrs. Baddeley
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Mrs. Siddons

Mrs. Siddons
Creator:
William Say, 1768–1834
Date:
1810
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 34 11/16 × 22 3/16 inches (88.1 × 56.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. The Setting Sun

The Setting Sun
Creator:
Print made by John Young, 1755–1825
Date:
1790
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 × 23 1/2 inches (46 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. The Cottar's Door

The Cottar's Door
Creator:
Print made by William Say, 1768–1834
Date:
1802
Materials & Techniques:
Mezzotint, proof before all letters on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 15/16 × 29 inches (55.7 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Sailors Conversation

Sailors Conversation
Creator:
William Ward, 1766–1826
Date:
1802
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 22 15/16 inches (48.3 × 58.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Sailors Conversation

Sailors Conversation
Creator:
William Ward, 1766–1826
Date:
1802
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/8 × 22 inches (46 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Silver Age

The Silver Age
Creator:
John Raphael Smith, 1752–1812
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 × 22 9/16 inches (48.3 × 57.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Rustic Felicity

Rustic Felicity
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 21 7/8 inches (45.7 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "William and Margaret"

"William and Margaret"
Creator:
John Raphael Smith, 1752–1812
Date:
1802
Materials & Techniques:
Mezzotint on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 23 11/16 inches (49.5 × 60.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Thomas King and Sophia Baddely in "The Clandestine Marriage"

Thomas King and Sophia Baddely in "The Clandestine Marriage"
Creator:
Richard Earlom, 1743–1822
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
Creator:
John Finlayson, 1730–1776
Date:
1768
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
Creator:
Print made by John Finlayson, 1730–1776
Date:
1769
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 x 22 3/8 inches (46 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Boccaccio, the Bird Cage

No cover image available
Creator:
Print made by J. P. Quilley, active 1828
Date:
1830
Materials & Techniques:
Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Eastward Ho!

No cover image available
Creator:
Print made by William Turner Davey, 1818–ca. 1884
Date:
1860
Materials & Techniques:
Mezzotint and stipple engraving with hand coloring in watercolor on thick, smooth, beige wove paper
Dimensions:
Sheet: 30 3/4 × 23 1/2 inches (78.1 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

20. The Golden Age

No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1777
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 22 5/8 inches (47.6 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Woodman in a Stream

No cover image available
Creator:
after Frederick Richard Lee, 1798–1879
Date:
1839
Materials & Techniques:
Mezzotint on medium, smooth, cream wove paper
Dimensions:
Mount: 18 7/8 × 22 15/16 inches (47.9 × 58.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection