<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques oil paint

Remove constraint Materials & Techniques: oil paint

Height [cm] 39

Remove constraint Height [cm]: 39

Image Use Free to Use

Remove constraint Image Use: Free to Use

Search Results

John Constable Study of an Ash Tree
John Constable, 1776–1837
Study of an Ash Tree
between 1801 and 1803 or between 1810 and 1830
Not on view
John Constable Osmington Village
John Constable, 1776–1837
Osmington Village
1816 to 1817
Not on view
George Stubbs Horse Attacked by a Lion (Episode C)
George Stubbs, 1724–1806
Horse Attacked by a Lion (Episode C)
between 1768 and 1769
Not on view
Richard Parkes Bonington Calais Jetty, France
Richard Parkes Bonington, 1802–1828
Calais Jetty, France
ca. 1824
On view at YUAG
Edward Lear Zagori, Greece
Edward Lear, 1812–1888
Zagori, Greece
1860
Not on view
Richard Banks Harraden Procession of Boats on the River Cam below Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Procession of Boats on the River Cam below Clare College, Cambridge
early 19th century
Not on view
John Inigo Richards Castel Sant'Angelo, Rome
John Inigo Richards, 1730/31?–1810
Castel Sant'Angelo, Rome
1776
Not on view
John Inigo Richards The Colosseum
John Inigo Richards, 1730/31?–1810
The Colosseum
1776
Not on view
Lionel Constable Landscape with Wheatfield
Lionel Constable, 1828–1887
Landscape with Wheatfield
ca. 1850s
Not on view
Lionel Constable Study of an Ash Tree
Lionel Constable, 1828–1887
Study of an Ash Tree
ca. 1851
Not on view
George Richmond Self-Portrait
George Richmond, 1809–1896
Self-Portrait
ca. 1830s
Not on view
William Watson Peploe Portrait of a Young Man with Long Hair
William Watson Peploe, 1869–1933
Portrait of a Young Man with Long Hair
ca. 1915
Not on view
George Vincent A Harbor Scene in the Isle of Wight, Looking Towards the Needles
George Vincent, 1796–1832
A Harbor Scene in the Isle of Wight, Looking Towards the Needles
1824
Not on view
George Morland The Squire's Door
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
William Blake Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
William Blake Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
Gainsborough Dupont Landscape: Three cows in center foreground
Gainsborough Dupont, 1754–1797
Landscape: Three cows in center foreground
undated
Gainsborough Dupont Landscape: Cow in left foreground
Gainsborough Dupont, 1754–1797
Landscape: Cow in left foreground
undated