Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
13
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
14
Edward Lear, 1812–1888
Abou Simbel; 8:10 A.M., 8 Feb. 1867 (369)
1867
15
Henry Swinburne, 1743–1803
View of a City Harbor
undated
16
Henry Swinburne, 1743–1803
Porto Azzurro
1777 to 1778
17
Henry Swinburne, 1743–1803
Mount Vesuvius
1777 to 1778
18
Henry Swinburne, 1743–1803
Bagneres-de-Bigoree, France
undated
19
Henry Swinburne, 1743–1803
Modena, Italy
1777 to 1778
20
Henry Swinburne, 1743–1803
Aix la Chapelle
undated
21
Thomas Stothard, 1755–1834
Study of Caryatides for Statue of Sir Thomas of Monro
1806
22
Thomas Stothard, 1755–1834
A Study for the Wellington Monument
undated
23
Henry William Bunbury, 1750–1811
How to Ride without a Bridle
undated
24
Samuel Prout, 1783–1852
Fishing Boats on the Beach with Sails Drying
undated
25
Thomas Hearne, 1744–1817
The Welsh Curate
undated
26
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
27
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
28
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
29
Circle of John Hayter, 1800–1895
Portrait of a Lady, called Mademoiselle Sontag
1805
30
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
31
John Vanderbank, 1694–1739
Family Group
undated
32
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
33
James Paine, 1717–1789
Design for a Shop Front: Elevation
undated
34
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
35
Augustus Welby Northmore Pugin, 1812–1852
Design for a Stained Glass Window
undated
36
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
37
George Cruikshank, 1792–1878
Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches
undated
38
Thomas Rowlandson, 1756–1827
The Shipwrecked Sailors
undated
39
Thomas Rowlandson, 1756–1827
The Grand Master or the Adventures of Qui Hi? in HIndostan
1814
40
Thomas Rowlandson, 1756–1827
Dr Syntax & Dairymaid
1821
41
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
42
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
43
unknown artist
Cumberland Landscape
undated
44
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
45
Joseph Farington, 1747–1821
A Mill by a Waterfall
undated
46
Joseph Farington, 1747–1821
Trees and a Distant Castle
undated
47
Attributed to Rev. Daniel Finch, 1757–1840
At Ashford
1818
48
Hubert-François Gravelot, 1699–1773
Design for a Medal: Seated Women Being Crowned by a Winged Genius
undated
49
Hubert-François Gravelot, 1699–1773
Design for a Coin: Chambre du Commerce de Picarde; First Draft
ca. 1761
50
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
51
Henry Fuseli, 1741–1825
Study of a Seated Woman
1791
52
Henry Fuseli, 1741–1825
Woman Reading, Seated Before a Window
1805
53
Henry Fuseli, 1741–1825
Figure Leaning over Stairs
1789
54
John Fayram, op.1713–1743
Frontispiece design for John Fayram's "Eight Views after Nature"
ca. 1739
55
Hubert-François Gravelot, 1699–1773
Layout Design for a Bookplate
undated
56
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
57
Thomas Rowlandson, 1756–1827
Women Drinking Punch
undated
58
Thomas Rowlandson, 1756–1827
Sleeping Woman Watched by a Man
undated
59
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
60
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
61
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
62
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
63
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
64
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
65
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
66
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
67
James Seymour, 1702–1752
A Hare Running, with Ears Pricked
undated
68
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
69
Mrs. P. D. H. Page, 20th century
Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]
undated
70
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
71
Cecil Charles Windsor Aldin, 1870–1935
'The Hounds Began Suddenly to Howl in Chorus'
undated
72
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
73
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
74
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
75
Mrs. P. D. H. Page, 20th century
Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
undated
76
Mrs. P. D. H. Page, 20th century
Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
undated
77
Mrs. P. D. H. Page, 20th century
Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
undated
78
Mrs. P. D. H. Page, 20th century
Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
undated
79
Mrs. P. D. H. Page, 20th century
Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
undated
80
unknown artist
A Cutter and Other Shipping in a Breeze
1827-1828
81
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
82
Thomas Rowlandson, 1756–1827
Elegant Company Dancing
undated
83
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Gourmands at Dinner
1798
84
Thomas Rowlandson, 1756–1827
A Black Leg Detected Secreting Cards
undated
85
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
86
Walter Richard Sickert, 1860–1942
Profile of a Man
undated
87
Giulio Aristide Sartorio, 1860–1932
Acrobatic Figures
undated
88
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore