Figure Studies of a Group of People in a Wooded Clearing
undated
7
Robert Smirke, 1752–1845
First Design of a Battle Scene
undated
8
Robert Smirke, 1752–1845
Study of Abraham Being Tested by God
undated
9
Robert Smirke, 1752–1845
Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed
undated
10
Robert Smirke, 1752–1845
Studies from Cotton MSS Nero
undated
11
Robert Smirke, 1752–1845
figure Studies for Medieval Noble Life
undated
12
Robert Smirke, 1752–1845
Lady Jane Grey
undated
13
Robert Smirke, 1752–1845
Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne
undated
14
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
15
Robert Smirke, 1752–1845
Woman Sleeping in the Nude in a Wooded Landscape
undated
16
Robert Smirke, 1752–1845
Diana and Actaeon
undated
17
Robert Smirke, 1752–1845
Bachanalia Scene
undated
18
Henry Swinburne, 1743–1803
View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
1764
19
Henry Swinburne, 1743–1803
Landscape, With Windmills, and a Town in the Horizon
undated
20
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
21
Henry Swinburne, 1743–1803
Citadel of Montpellier, France
undated
22
Sir Robert Smirke the younger, 1781–1867
Ancient Inscription in the Post House at Argos
1802-1804
23
Sir Robert Smirke the younger, 1781–1867
Top Portion of a Pillar
1802-1804
24
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
25
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
26
Sir Robert Smirke the younger, 1781–1867
Sketch of the Molding of the Interior of the Propylaea
1802-1804
27
Sir Robert Smirke the younger, 1781–1867
Fragment of a Doric Cornice Among the Ruins of Eleusis
1802-1804
28
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
29
Sir Robert Smirke the younger, 1781–1867
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
30
Sir Robert Smirke the younger, 1781–1867
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
1802-1804
31
Sir Robert Smirke the younger, 1781–1867
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
32
John Robert Cozens, 1752–1797
Florence
undated
33
unknown artist
Church Interior
undated
34
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
35
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
36
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
37
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
38
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
39
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
40
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
41
John Thomas Smith, 1766–1833
The Smock Exposed
1817
42
John Thomas Smith, 1766–1833
The Reconcilation
1817
43
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
44
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
45
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
46
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
47
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
48
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
49
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
50
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
51
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
52
Samuel Prout, 1783–1852
Beach Scene
undated
53
Elias Martin, 1739–1818
Reading Lesson at a Dame School
undated
54
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
55
attributed to Peter DeWint, 1784–1849
Three Cart-Horses in Traces
undated
56
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
57
Francis Barlow, 1622–1704
Hare Hunting
undated
58
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
59
Lionel Edwards, 1878–1966
The Lodge Gate
1922
60
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
61
Attributed to Thomas Baker of Leamington, 1809–1864
A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
1848
62
Thomas Daniell, 1749–1840
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
63
unknown artist
Tattersall's Training School
1771
64
William Hamilton, 1751–1801
The Return from Coursing
undated
65
John Frederick Herring, 1795–1865
Two Horses Eating From a Wheel-Barrow Watched by a Goat and Three Ducks
1850
66
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
67
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
68
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
undated
69
Willey Reveley, 1760–1799
Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall
ca. 1785
70
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
71
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
72
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
73
Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Gorge and Cattle
undated
74
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
75
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
76
Thomas Hearne, 1744–1817
The Welsh Curate
undated
77
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
78
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
79
John Henderson, 1764–1843
Venetian Scene
undated
80
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
81
Samuel Howitt, 1756–1822
The Toll-house with a Coach Crossing the Bridge
undated
82
William Kent, ca.1686–1748
Townsend's Building at Rousham, Oxfordshire: Elevation and Plan
ca. 1738
83
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
84
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
85
Robert Dighton, 1752–1814
Bachelor's Hall
undated
86
Isaac Weld, 1774–1856
Women in "Old Italian Costume - Naples"
1818
87
Anthony Vandyke Copley Fielding, 1787–1855
Marine Pier, Brighton - Sunset
undated
88
Heneage Finch fourth Earl of Aylesford, 1751–1812
Tenby
undated
89
James Gwin, 1700–1769
Troisieme Position du Salut
1763
90
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
91
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
92
Thomas Patch, 1725–1782
Valentino, Servitore de Piazza
1769
93
Edward Pierce, c.1630–1695
The Diana Fountain, Bushy Park: Original Design
undated
94
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
95
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School