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Materials & Techniques pen

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms temple

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1. Amada, 9:30 am, 12 February 1867

Amada, 9:30 am, 12 February 1867
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 4 7/8 x 13 3/4 inches (12.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Views in the Levant: Paestum

Views in the Levant: Paestum
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 18 11/16 inches (28.3 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Temple of Jupiter Panhellenios at Aegina

Temple of Jupiter Panhellenios at Aegina
Creator:
William Pars, 1742–1782
Date:
between 1764 and 1766
Materials & Techniques:
Pen and black ink, pen and gray ink, pen and brown ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 18 inches (29.2 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Views in the Levant: Temple Ruins at Paestum

Views in the Levant: Temple Ruins at Paestum
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Landscape with Temple Ruins at Sunium

Landscape with Temple Ruins at Sunium
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Penand brown ink, gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A Temple

A Temple
Creator:
unknown artist
Date:
ca. 1780
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Image: 6 5/8 × 9 1/4 inches (16.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Illustration to Tonson's Ovid Metamorphosis (two of four)

Illustration to Tonson's Ovid Metamorphosis (two of four)
Creator:
unknown artist
Date:
ca. 1710
Materials & Techniques:
Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:
Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Karnak

Karnak
Creator:
William James Muller, 1812–1845
Date:
between 1838 and 1839
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 10 7/8 x 15 1/16 inches (27.6 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Temple of Venus and Rome from the Colosseum

Temple of Venus and Rome from the Colosseum
Creator:
William Pars, 1742–1782
Date:
1781
Materials & Techniques:
Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Design for the Old Lime Kiln Seat, Home Park, Windsor

Design for the Old Lime Kiln Seat, Home Park, Windsor
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 7/16 × 7 1/2 inches (29.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Tempio d' Antonio e Faustina

Tempio d' Antonio e Faustina
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Facade for a Temple of Peace, Kew Gardens, Surrey

Facade for a Temple of Peace, Kew Gardens, Surrey
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1763
Materials & Techniques:
Graphite, pen and black ink, watercolor and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Religious Ceremony in Ancient Greece

Religious Ceremony in Ancient Greece
Creator:
Francis Oliver Finch, 1802–1862
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 5/16 × 25 5/16 inches (46.5 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Landscape with a Temple and Figures by a River

Landscape with a Temple and Figures by a River
Creator:
Francis Oliver Finch, 1802–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum arabic, graphite and scraping out on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 × 16 5/16 inches (29.4 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A Scene between Galle and Matura, about Six Miles from Galle

A Scene between Galle and Matura, about Six Miles from Galle
Creator:
Samuel Daniell, 1775–1811
Date:
ca. 1801
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 17 7/8 inches (31.3 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection