Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
5
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
6
Sawrey Gilpin, 1733–1807
A View of the Ascot Heath
undated
7
unknown artist
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
8
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
9
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
10
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
11
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
12
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
13
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
14
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
15
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
16
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
17
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
18
unknown artist
Morning
1799
19
unknown artist
Evening
1799
20
unknown artist
Mid-Day
1799
21
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
22
George Alken, 1794–active 1837
Exercising a Racehorse
undated
23
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
24
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
25
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
26
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
27
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
28
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
29
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
30
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
31
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
32
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
33
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
34
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
35
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
36
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
37
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
38
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
39
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
40
Edward Duncan, 1803–1882
Pheasant Shooting
1825
41
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
42
William Heath, 1795–1840
Woodcock Shooting
undated
43
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
44
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
45
Samuel Howitt, 1756–1822
The Check
undated
46
Samuel Howitt, 1756–1822
Going to Cover
undated
47
Samuel Howitt, 1756–1822
Going out of Kennel
undated
48
Samuel Howitt, 1756–1822
The Death
undated
49
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
50
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
51
Samuel Howitt, 1756–1822
Full Cry
undated
52
Sir Edwin Henry Landseer, 1802–1873
The Deer-Stalker, Oct. 15, 1852
1852
53
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
54
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
55
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
56
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
57
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
58
Thomas Rowlandson, 1756–1827
'How to Twist Your Neck'
undated
59
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
60
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
61
James Seymour, 1702–1752
A Boar Hunt
undated
62
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
63
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
64
James Seymour, 1702–1752
Coursing - After the Kill
undated
65
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
66
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
67
James Seymour, 1702–1752
Conqueror Going to Start
undated
68
Peter Tillemans, 1684–1734
Racing: a Match in Progress
undated
69
Francis Barlow, 1622–1704
Hare Hunting
undated
70
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
71
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
72
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
73
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
74
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
75
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
76
John Wootton, 1682–1764
The Meet
undated
77
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
78
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
79
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
80
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
81
Samuel Alken, 1756–1815
Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..
undated
82
Samuel Alken, 1756–1815
Foxhunting: Rider and a Couple of Hounds Entering a Covert
undated
83
Samuel Howitt, 1756–1822
Racing Scene
1792
84
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
ca. 1835
85
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
86
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
87
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
88
Cecil Charles Windsor Aldin, 1870–1935
Full Cry
undated
89
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
90
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
91
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
92
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
93
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
94
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
95
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country