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John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
Thomas Shotter Boys Queen Anne Boleyn's Room, Windsor Castle
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
Hubert-François Gravelot Design for Medal: Both Hands Fil'd for Britain
Hubert-François Gravelot, 1699–1773
Design for Medal: Both Hands Fil'd for Britain
undated
Louis Philippe Boitard Self-Portrait with Two Young Men
Louis Philippe Boitard, active 1734–1760
Self-Portrait with Two Young Men
between 1730 and 1740
Samuel Prout Beach Scene
Samuel Prout, 1783–1852
Beach Scene
undated
Johann Heinrich Ramberg The Assignation
Johann Heinrich Ramberg, 1763–1840
The Assignation
undated
John Minton Landscape
John Minton, 1917–1957
Landscape
undated
Keith Vaughan Barnyard Scene
Keith Vaughan, 1912–1977
Barnyard Scene
1944
Francis Oliver Finch Classical Scene
Francis Oliver Finch, 1802–1862
Classical Scene
undated
Robert Adam Headfort House: Moldings in the Hall
Robert Adam, 1728–1792
Headfort House: Moldings in the Hall
1772
Robert Adam Headfort House: Moldings in the Great Room
Robert Adam, 1728–1792
Headfort House: Moldings in the Great Room
1772
Robert Adam Headfort House: Staircase Moldings
Robert Adam, 1728–1792
Headfort House: Staircase Moldings
1772
Benjamin West A Scene from Roman History
circle of Benjamin West, 1738–1820
A Scene from Roman History
undated
Samuel Buck The South View of Berwick Upon Tweed
Samuel Buck, 1696–1779
The South View of Berwick Upon Tweed
ca. 1743-1745
Benjamin Robert Haydon Study of a Male Nude
Benjamin Robert Haydon, 1786–1846
Study of a Male Nude
undated
Benjamin Robert Haydon Figure Studies of a Man Rising From the Ground
Benjamin Robert Haydon, 1786–1846
Figure Studies of a Man Rising From the Ground
undated
Sir Richard Colt Hoare Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
Sir Richard Colt Hoare The Tomb of Plautius, near Tivoli
Sir Richard Colt Hoare, 1758–1838
The Tomb of Plautius, near Tivoli
1786 to 1819
Sir Richard Colt Hoare At Tivoli, near Rome
Sir Richard Colt Hoare, 1758–1838
At Tivoli, near Rome
1786 to 1819
Sir Richard Colt Hoare A view of Vicovaro alias Vicus Varii
Sir Richard Colt Hoare, 1758–1838
A view of Vicovaro alias Vicus Varii
1786 to 1819
Sir Richard Colt Hoare The Convent of St. Cosimato, and part of the Claudian Aqueduct
Sir Richard Colt Hoare, 1758–1838
The Convent of St. Cosimato, and part of the Claudian Aqueduct
1786 to 1819
Sir Charles D'Oyly View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul
Sir Charles D'Oyly, 1781–1845
View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul
undated
Sir Charles D'Oyly Government House from St. Andrew's Library - Calcutta
Sir Charles D'Oyly, 1781–1845
Government House from St. Andrew's Library - Calcutta
between 1833 and 1838
Sir Charles D'Oyly Old Courthouse Street on Tank Square
Sir Charles D'Oyly, 1781–1845
Old Courthouse Street on Tank Square
between 1833 and 1838
Thomas Rowlandson View on Exmoor
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
Elias Martin Reading Lesson at a Dame School
Elias Martin, 1739–1818
Reading Lesson at a Dame School
undated
James Gwin Position de la Garde Italienne de L'Epée & Poignard
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
James Gwin Du Desarmement Aprés Avoir Paré le Coup de Quarte
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
James Gwin De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
James Gwin De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
James Gwin Du Desarmement Aprés la Parade au Dehors des Armes
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
James Gwin Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
Sir Robert Smirke the younger The Mad House in the Suburbs of Vienna
Sir Robert Smirke the younger, 1781–1867
The Mad House in the Suburbs of Vienna
1804
Sir Robert Smirke the younger Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
Sir Robert Smirke the younger, 1781–1867
Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
1802-1804
Sir Robert Smirke the younger Sketch of the Plan of the Church of Saint Wenceslas in Prague
Sir Robert Smirke the younger, 1781–1867
Sketch of the Plan of the Church of Saint Wenceslas in Prague
1802-1804
Sir Robert Smirke the younger A Villa Near Potsdam
Sir Robert Smirke the younger, 1781–1867
A Villa Near Potsdam
1802-1804
Sir Robert Smirke the younger One of the Entrances to Potsdam
Sir Robert Smirke the younger, 1781–1867
One of the Entrances to Potsdam
1804
Sir Robert Smirke the younger Jungfern Bridge
Sir Robert Smirke the younger, 1781–1867
Jungfern Bridge
1802-1804
Sir Robert Smirke the younger Sketch of a Public Building
Sir Robert Smirke the younger, 1781–1867
Sketch of a Public Building
1802-1804
Sir Robert Smirke the younger Sketch of an Ornate Doorway, With Columns, and Sculpture
Sir Robert Smirke the younger, 1781–1867
Sketch of an Ornate Doorway, With Columns, and Sculpture
1802-1804
Sir Robert Smirke the younger Sketch of an Entry Gate
Sir Robert Smirke the younger, 1781–1867
Sketch of an Entry Gate
1802-1804
Sir Robert Smirke the younger Study of a Stone Mausoleum
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Mausoleum
1802-1804
unknown artist A Cutter and Other Shipping in a Breeze
unknown artist
A Cutter and Other Shipping in a Breeze
1827-1828
David Cox Jr. A Merchantman Becalmed Offshore
David Cox Jr., 1809–1885
A Merchantman Becalmed Offshore
undated
William Watts Cranbourne Lodge
Attributed to William Watts, 1752–1851
Cranbourne Lodge
undated
Thomas Rowlandson Viewing at the Royal Academy
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
James Ward A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
James Ward, 1769–1859
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
undated
Thomas Rowlandson Picking Mulberries
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
Thomas Rowlandson Gardening
Thomas Rowlandson, 1756–1827
Gardening
undated
Paul Sandby A Castle on a River
Paul Sandby, 1731–1809
A Castle on a River
undated
Thomas Rowlandson A Ball at Scarborough
Thomas Rowlandson, 1756–1827
A Ball at Scarborough
ca. 1820
Benjamin West Woman at a Square Piano
Benjamin West, 1738–1820
Woman at a Square Piano
undated
James Abbott Pasquier A Struggle With a Load of Clay
James Abbott Pasquier, active 1851–1872
A Struggle With a Load of Clay
1855
Heinrich W. Schweickhardt Haymaking
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
Thomas Rowlandson Comforts of Bath: The Bath
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
David Charles Read Landscape with Trees
David Charles Read, 1790–1851
Landscape with Trees
undated
David Charles Read Landscape with Trees; a River in the Background
David Charles Read, 1790–1851
Landscape with Trees; a River in the Background
undated
Thomas Rowlandson The Drunken Nurse
Thomas Rowlandson, 1756–1827
The Drunken Nurse
undated
Mrs. P. D. H. Page Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]
Mrs. P. D. H. Page, 20th century
Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]
undated
Mrs. P. D. H. Page Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]
Mrs. P. D. H. Page, 20th century
Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]
undated
Mrs. P. D. H. Page Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
Mrs. P. D. H. Page, 20th century
Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
undated
Mrs. P. D. H. Page Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]
Mrs. P. D. H. Page, 20th century
Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]
undated
Mrs. P. D. H. Page Dolphin, after the Orignial by John White in the British Museum [Caribbean and Oceanic, No. 26 A]
Mrs. P. D. H. Page, 20th century
Dolphin, after the Orignial by John White in the British Museum [Caribbean and Oceanic, No. 26 A]
undated
Mrs. P. D. H. Page Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
Mrs. P. D. H. Page, 20th century
Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
undated
Mrs. P. D. H. Page Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
Mrs. P. D. H. Page, 20th century
Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
undated
Mrs. P. D. H. Page Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
Mrs. P. D. H. Page, 20th century
Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
undated
Mrs. P. D. H. Page Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
Mrs. P. D. H. Page, 20th century
Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
undated
Mrs. P. D. H. Page Scorpions, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 8]
Mrs. P. D. H. Page, 20th century
Scorpions, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 8]
undated
Mrs. P. D. H. Page Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]
Mrs. P. D. H. Page, 20th century
Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]
undated
Mrs. P. D. H. Page Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]
Mrs. P. D. H. Page, 20th century
Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]
undated
Mrs. P. D. H. Page Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]
Mrs. P. D. H. Page, 20th century
Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]
undated
Mrs. P. D. H. Page Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]
Mrs. P. D. H. Page, 20th century
Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]
undated
Mrs. P. D. H. Page Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]
Mrs. P. D. H. Page, 20th century
Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]
undated
Mrs. P. D. H. Page Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
Mrs. P. D. H. Page, 20th century
Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
undated
Mrs. P. D. H. Page Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]
Mrs. P. D. H. Page, 20th century
Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]
undated
Mrs. P. D. H. Page Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]
Mrs. P. D. H. Page, 20th century
Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]
undated