Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
2
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
3
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
4
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
5
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
6
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
7
John Thomas Smith, 1766–1833
The Smock Exposed
1817
8
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
9
John Thomas Smith, 1766–1833
The Reconcilation
1817
10
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
11
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
12
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
13
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
14
Samuel Howitt, 1756–1822
Polecat
ca. 1817
15
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
16
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
17
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
18
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
19
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
20
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
21
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
22
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
23
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
24
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
25
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
26
Thomas Rowlandson, 1756–1827
A Tub Thumper
between 1817 and 1820
27
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
28
Thomas Shotter Boys, 1803–1874
Landscape with Windmills
undated
29
Francis Oliver Finch, 1802–1862
Landscape with a Temple and Figures by a River
undated
30
Francis Oliver Finch, 1802–1862
Valley of Rocks, Lynton, North Devon
undated
31
Thomas Rowlandson, 1756–1827
Plymouth Dock
1817
32
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
33
Thomas Rowlandson, 1756–1827
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
34
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
35
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
36
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
37
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church