Materials & Techniques: pen / Date: 1827 / Subject Terms: ornamentation - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques pen

Date 1827

Subject Terms ornamentation

1. Designs for Gothic Ornamentation

Designs for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches

Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 7 7/8 inches (28.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation

Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 7 3/4 × 6 inches (19.7 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Designs for Gothic Ornamentation

Designs for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, brown wash, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 13 5/8 inches (19.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Design for Gothic Ornamentation

Design for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 12 inches (13 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Three Sketches of: a House, A Gothic Spires and Ornamentation

Three Sketches of: a House, A Gothic Spires and Ornamentation

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 11 3/8 inches (20 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thin, smooth, white wove paper
Dimensions:: Sheet: 7 7/8 × 11 1/2 inches (20 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 7 5/8 inches (25.1 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection