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1. Walenstadt, from Weesen, Switzerland

Walenstadt, from Weesen, Switzerland
Creator:
William Callow, 1812–1908
Date:
1842
Materials & Techniques:
Watercolor with pen in brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 9/16 x 25 7/16 inches (44.6 x 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Sailing Dinghy with Three Men Leaving a Rocky Inlet

A Sailing Dinghy with Three Men Leaving a Rocky Inlet
Creator:
Joseph Farington, 1747–1821
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 1/8 × 25 3/8 inches (48.6 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. View of Skiddaw and Derwentwater

View of Skiddaw and Derwentwater
Creator:
Joseph Farington, 1747–1821
Date:
ca. 1780
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Quorn towards Ashby de la Zouch, Leicestershire

The Quorn towards Ashby de la Zouch, Leicestershire
Creator:
Lionel Edwards, 1878–1966
Date:
1919
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:
Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Sugar Loaf, Cape of Good Hope

Sugar Loaf, Cape of Good Hope
Creator:
Samuel Davis, 1760–1819
Date:
1779
Materials & Techniques:
Watercolor, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 18 × 25 7/16 inches (45.7 × 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection