Materials & Techniques: pen / Genre: sporting art - YCBA Collections Search Search Results

1. Arab Horsemen, Two Grey Horses

Creator:: John R. Skeaping, 1901–1980
Date:: 1965
Materials & Techniques:: Watercolor and gouache on thick, rough, white wove paper
Dimensions:: Sheet: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 11/16 × 9 13/16 inches (22.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Over the Bank, Exmoor

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A View of the Ascot Heath

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink on medium, slightly textured, beige laid paper, mounted on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 3 1/8 × 7 1/8 inches (7.9 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

7. The Eton Boat on the Towpath of the Thames: Windsor Castle in Background

Creator:: unknown artist
Date:: ca. 1845
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 30 3/4 inches (31.8 x 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Du Desarmement Aprés la Parade au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Morning

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Evening

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 × 5 13/16 inches (10.2 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Mid-Day

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Foxhunting: Rider, Taking a Fence

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Exercising a Racehorse

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 10 3/4 inches (20.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "Doing the Thing: and the Thing Done:" Doing it No How

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Doing the Thing: and the Thing Done:" Doing the Down Leap

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "Doing the Thing: and the Thing Done:" The Down Leap Done

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "Doing the Thing: and the Thing Done:" Doing it Somehow

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 6 5/8 inches (20.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Stable Boy Holding a Horse in a Landscape

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Watercolor, with pen, in black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 1/8 × 4 13/16 inches (7.9 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "The King and Noblemen Before the Stag is Turn'd Out"

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 13 1/2 inches (10.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Wild Duck Shooting

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Pheasant Shooting

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Two Riders Conversing

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 7 9/16 inches (15.2 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Woodcock Shooting

Creator:: William Heath, 1795–1840
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gum arabic, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 11/16 × 7 3/16 inches (24.6 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Young Man with a Horse, with Studies of Hounds and Dead Hare

Creator:: John Hoppner, 1758–1810
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Coursing: Setting Out

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Check

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Going to Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Going out of Kennel

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Death

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 7/16 × 11 3/4 inches (24 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Coursing: The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Woodcock Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 inches (14.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Full Cry

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Deer-Stalker, Oct. 15, 1852

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1852
Materials & Techniques:: Pen and brown ink, and brown wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 7 3/16 × 4 3/8 inches (18.3 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Sportsman and Two Dogs

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 5 3/4 inches (11.1 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Annual Sculling Race for Doggett's Coat and Badge

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Crowded Race Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Breakfast before the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. An English Postilion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. 'How to Twist Your Neck'

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 × 11 11/16 inches (21.6 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Racehorse, Bridled and Saddled

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 3/4 × 10 3/4 inches (24.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Boar Hunt

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Riders and Hounds in an Open Landscape

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 13/16 × 16 5/8 inches (27.5 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Kindly, with Jockey Up

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/16 × 8 1/16 inches (16 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Coursing - After the Kill

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, red chalk, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Foxhunter, with Jockey Up

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 7/16 × 8 5/16 inches (13.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Conqueror Going to Start

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Racing: a Match in Progress

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Hare Hunting

Creator:: Francis Barlow, 1622–1704
Date:: undated
Materials & Techniques:: Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Dosing a Racehorse

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Match at Newmarket

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 6 1/4 inches (16.8 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 6 inches (15.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse...

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 6 13/16 inches (19.4 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Meet

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 × 8 5/8 inches (13.7 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Two Riders Exercising Horses at a Gallop

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and red ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 14 9/16 inches (25.9 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Wild Duck Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Watercolor, pen and blue ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/4 × 13 11/16 inches (24.8 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 10 7/8 inches (20.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right...

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Foxhunting: Rider and a Couple of Hounds Entering a Covert

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/4 inches (25.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Racing Scene

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:: Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Return from the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder

Creator:: Possibly James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 13 3/16 × 13 9/16 inches (33.5 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Up and Over

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Full Cry

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 11/16 × 14 3/16 inches (24.6 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. `Hold Back, Sir!'

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: 1904
Materials & Techniques:: Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 15/16 inches (25.1 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. `Ar Never Gets Off' - Hunting Scene

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 11 5/8 × 18 15/16 inches (29.5 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Grouse Shooting: The Right Sort

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and red ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 13/16 inches (21.6 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Grouse Shooting: The Wrong Sort

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Leicestershire Hunt - A Struggle for the Start

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Insult to Injury

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, and pen, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 13/16 inches (38.1 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Leicestershire Hunt - The Death

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Reverend Dr. Hooker

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 11 7/8 inches (34.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Some Have Greatness Thrust Upon Them

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache, with pen and brown ink on linen
Dimensions:: Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Taking a Fence Side-Saddle

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouahce and pen with black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 10 3/4 inches (37 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques pen

Genre sporting art

Search Results

1. Arab Horsemen, Two Grey Horses

2. Huntsman and Hounds

3. Over the Bank, Exmoor

4. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

5. Position Aprés Avoir Désarmé sur le Coup de Tierce

6. A View of the Ascot Heath

7. The Eton Boat on the Towpath of the Thames: Windsor Castle in Background

8. Position de la Garde Italienne de L'Epée & Poignard

9. Du Desarmement Aprés Avoir Paré le Coup de Quarte

10. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

11. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

12. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

13. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

14. Du Desarmement Aprés la Parade au Dehors des Armes

15. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

16. Risposte Aprés Avoir Trompé la Parade du Poignard

17. L'Epée & Lanterne Combattüe par L'Epée et Manteau

18. Morning

19. Evening

20. Mid-Day

21. Foxhunting: Rider, Taking a Fence

22. Exercising a Racehorse

23. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

24. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

25. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

26. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

27. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

28. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

29. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

30. "Doing the Thing: and the Thing Done:" Doing it No How

31. "Doing the Thing: and the Thing Done:" Doing the Down Leap

32. "Doing the Thing: and the Thing Done:" The Down Leap Done

33. "Doing the Thing: and the Thing Done:" Doing it Somehow

34. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

35. An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'

36. Stable Boy Holding a Horse in a Landscape

37. Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower

38. "The King and Noblemen Before the Stag is Turn'd Out"

39. Wild Duck Shooting

40. Pheasant Shooting

41. Two Riders Conversing

42. Woodcock Shooting

43. A Young Man with a Horse, with Studies of Hounds and Dead Hare

44. Coursing: Setting Out

45. The Check

46. Going to Cover

47. Going out of Kennel

48. The Death

49. Coursing: The Kill

50. Woodcock Shooting

51. Full Cry

52. The Deer-Stalker, Oct. 15, 1852

53. Sportsman and Two Dogs

54. The Annual Sculling Race for Doggett's Coat and Badge

55. A Crowded Race Meeting

56. Breakfast before the Hunt

57. An English Postilion

58. 'How to Twist Your Neck'

59. The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

60. A Racehorse, Bridled and Saddled

61. A Boar Hunt

62. Riders and Hounds in an Open Landscape

63. Kindly, with Jockey Up

64. Coursing - After the Kill

65. 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

66. Foxhunter, with Jockey Up

67. Conqueror Going to Start

68. Racing: a Match in Progress

69. Hare Hunting

70. Dosing a Racehorse

71. A Match at Newmarket

72. "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

73. "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

74. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...