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Materials & Techniques pen

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Work Type planographic print

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1. Pity

Pity
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color monotype, watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:
Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Untitled (one of three)
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
undated
Materials & Techniques:
Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 3 13/16 x 2 7/16 inches (9.7 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Designs for Gothic Candle Sticks and Branches
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on smooth, thin, blue wove paper
Dimensions:
Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Gothic Standing Candlesticks and Incense Burners
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 10 1/4 x 16 3/4 inches (26 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bishop's Chapel Bishop Eton (built c. 1845-1850)
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Altar and Processional Crosses
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1846
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 10 3/8 × 8 3/8 inches (26.4 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Untitled (one of three)
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
undated
Materials & Techniques:
Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 x 2 5/16 inches (7.3 x 5.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Three Sketches of: a House, A Gothic Spires and Ornamentation
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 11 3/8 inches (20 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Grecian Frieze Ornament
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
1831
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thin, smooth, white wove paper
Dimensions:
Sheet: 7 7/8 × 11 1/2 inches (20 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thick, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 x 7 5/8 inches (25.1 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection