Materials & Techniques: pen / Work Type: watercolor / Height [cm]: 27

1. A Cow Lodge with a Mossy Roof

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 3/4 inches (26.7 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Views in the Levant: Malta

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 17 7/8in. (26.7 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Single Corvette (?) with Three Figures in Naval Uniforms and Union Jack

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 5/16 × 16 1/2 inches (33.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

4. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

5. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 1/2 inches (38.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

6. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

7. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

8. Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 7/16 inches (38.4 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

9. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, red ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 11/16 × 20 11/16 inches (37.3 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

10. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

11. Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

12. The Return of the Fleet to Great Yarmouth in 1797

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Falls of Tivoli, From the Lowest Cavern

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Architectural Drawing of a Stone Relief, Depicting a Bird of Prey

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 9/16 × 13 3/4 inches (26.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Ruins at Capua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. View of Plymouth taken from the Seven Trees, Exeter Road

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 15 3/8in. (26.7 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Westminster Bridge from Lambeth Walk

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 7/8 × 20 3/16 inches (35.2 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Barnes Common, June 1836

Creator:: T. E. Jeffers, active 1836
Date:: 1836
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink and gray ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 13 5/16 inches (24.4 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Indian Statue

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/16 × 9 1/8 inches (26.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 6 15/16 inches (26.7 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Sketch of the Plan of the Church of Saint Wenceslas in Prague

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 9/16 × 6 7/8 inches (26.8 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in black ink, over graphite, with gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 9 1/8 inches (27.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 13 5/8 inches (27.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, with pen, in black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 11/16 × 10 1/16 inches (27.1 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right...

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Up and Over

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Full Cry

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 11/16 × 14 3/16 inches (24.6 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1852
Materials & Techniques:: watercolor, pen and brown ink, black ink, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/16 x 14 7/16 inches (26.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. St. Mary's Priory, Thetford

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

34. Jumping a Double Oxer - A Rider in Difficulties

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Jumping a Wooden Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Jumping a Low Rail and a Brook

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Foxhunting: The Meet, With Hounds Coming Out of Kennel

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 17 7/16 inches (27.3 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Treeing a Fox

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/2 inches (26.7 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right...

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 13/16 inches (27 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Horse Sale in Hopkins's Repository, Barbican

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1798 and 1800
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View near Arwington Hall, Suffolk

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1767
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 3/4in. (26.5 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

43. The Arches Near the East Gate, Bury St. Edmunds Suffolk

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

44. Chapel of St. Michael's Mount

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1786
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 16 1/2in. (26 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

45. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Cobham Hall, Kent: Elevation of Fireplace and Overmantel

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 16 3/4 inches (27 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 10 1/2 × 5 5/8 inches (26.7 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Tooth Drawer

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lisbon from the Convent of St. Francis da Citadel

Creator:: Charles Gore, 1729–1807
Date:: 1774
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 17 1/2 inches (27.3 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Open-Air Preacher

Creator:: John Griffiths, active 1764–1774
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured cream laid paper
Dimensions:: Sheet: 10 1/2 x 8 1/2in. (26.7 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Distant view of Llandrillo

Creator:: Moses Griffith, 1747–1819
Date:: 1805
Materials & Techniques:: Watercolor over graphite; verso: graphite traced over with pen and brown ink on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 10 5/8 x 16 5/8in. (27 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Farmyard

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1815
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 x 12 3/4 inches (26.7 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Lodge at Cassiobury

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 14 7/8 inches (27 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Street in a Country Village

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1815
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 1/2 inches (27 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Acacia Tree - Figures in a Park

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 3/8 inches (35.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Fishing Boats on the Beach with Sails Drying

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite, with stumping on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 7 7/8 inches (27 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. View of London from Richmond House, Whitehall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 18 1/8 inches (27.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

Creator:: Luigi Balugani, 1737–1770
Date:: ca. 1768
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. An Orchestra Rehearsing

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash, and gray wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/2 × 15 7/8 inches (26.7 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Landscape Looking Through Ruined Archway

Creator:: Thomas Sully, 1783–1872
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 15/16 inches (26.7 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View of the Falls of Niagara

Creator:: Isaac Weld, 1774–1856
Date:: between 1795 and 1797
Materials & Techniques:: Pen, and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 11/16 × 13 3/16 inches (27.1 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Castle of Ostia with Mountains in the Distance

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, gouache, pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 19in. (26.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and white grouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 17 inches (26.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Quatrieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Cobham Hall, Kent: Chamber Floor Plan

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 20 1/2 inches (27.3 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Falls at Powerscourt, Co. Wicklow, Ireland

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Entrance to Stonehouse Creek, between Plymouth and Dock, Devon

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 14 3/8in. (26.7 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Variant Designs for the Somerset Monument: Elevation

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on smooth, thick, cream wove paper
Dimensions:: Sheet: 10 1/2 × 7 inches (26.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Unidentified Country House: Rear Elevation

Creator:: Attributed to John Sanderson, active 1730; died 1774
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 17 9/16 inches (27 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Shadwell by the Ship Inn

Creator:: George Shepheard, ca. 1770–1842
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 3/8 inches (27 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Cowes Castle, Isle of Wight

Creator:: John Inigo Richards, 1730/31?–1810
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 9 5/8 inches (26.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Prince of Wales Island, Penang

Creator:: Ensign Caldwell, c.1800
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 22 7/8 inches (36.5 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Wooded Landscape with Cattle, Figures and a House

Creator:: Charlotte Warren, 18th century
Date:: undated
Materials & Techniques:: Brown wash, gray wash, black wash, graphite, black chalk, pen and black ink, and white gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 13 1/2 inches (26.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Study of a Rustic Interior Scene

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor with pen in brown ink, over graphite with gouache on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 13 7/8 inches (27 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Halfway House, Sadler's Wells

Creator:: Paul Sandby, 1731–1809
Date:: 1780
Materials & Techniques:: Gouache, watercolor, pen and black ink with varnish on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 11 inches (26.7 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Domestic Interior

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash over graphite on medium, slightly textured, cream laid paper mounted on thick, rough, beige wove paper
Dimensions:: Mount: 10 1/2 × 14 inches (26.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

90. Lilleshall, Shropshire: East View

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 3/8 × 13 7/8 inches (11.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Scene on Mount Olympus

Creator:: John Michael Rysbrack, 1694–1770
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and white gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. An Artist's Studio

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1814
Materials & Techniques:: Watercolor with pen and red-brown, brown, and gray ink, over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 8 7/16 inches (26.7 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. 'Slender Billy' Taking Refreshment

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 x 8 9/16 inches (27.3 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Outside the Greengrocer's Shop

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Dr Graham's Bathing Establishment

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Buildwas Abbey, Shropshire

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Lord Henry Charles Capel Somerset, 5th Light Infantry - Cheltenham

Creator:: Richard Dighton, 1795–1880
Date:: between 1837 and 1848
Materials & Techniques:: Gouache, watercolor, pen, black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 8 3/4 inches (27.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Pont Aber Glaslyn

Creator:: William Burgess, 1749–1812
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 9/16 × 18 3/4 inches (37 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Fisherman Putting Out to Sea

Creator:: John Augustus Atkinson, 1775–1831
Date:: between 1800 and 1810
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Unidentified Country House: Front Elevation

Creator:: Attributed to John Sanderson, active 1730; died 1774
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, moderately textured, white laid paper
Dimensions:: Sheet: 10 5/8 x 17 1/2 inches (27 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques pen

Work Type watercolor

Height [cm] 27

Search Results

1. A Cow Lodge with a Mossy Roof

2. Views in the Levant: Malta

3. Single Corvette (?) with Three Figures in Naval Uniforms and Union Jack

4. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

5. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

6. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

7. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

8. Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:

9. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

10. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

11. Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan

12. The Return of the Fleet to Great Yarmouth in 1797

13. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

14. Falls of Tivoli, From the Lowest Cavern

15. Architectural Drawing of a Stone Relief, Depicting a Bird of Prey

16. Ruins at Capua

17. View of Plymouth taken from the Seven Trees, Exeter Road

18. Westminster Bridge from Lambeth Walk

19. Barnes Common, June 1836

20. Indian Statue

21. Position de la Garde Italienne de L'Epée & Poignard

22. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

23. Risposte Aprés Avoir Trompé la Parade du Poignard

24. Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague

25. Sketch of the Plan of the Church of Saint Wenceslas in Prague

26. Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]

27. Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]

28. Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

29. Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right...

30. Up and Over

31. Full Cry

32. The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852

33. St. Mary's Priory, Thetford

34. Jumping a Double Oxer - A Rider in Difficulties

35. Jumping a Wooden Fence

36. Jumping a Low Rail and a Brook

37. Foxhunting: The Meet, With Hounds Coming Out of Kennel

38. Treeing a Fox

39. Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right...

40. A Horse Sale in Hopkins's Repository, Barbican

41. How to Vault in the Saddle

42. View near Arwington Hall, Suffolk

43. The Arches Near the East Gate, Bury St. Edmunds Suffolk

44. Chapel of St. Michael's Mount

45. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

46. Cobham Hall, Kent: Elevation of Fireplace and Overmantel

47. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

48. The Tooth Drawer

49. Lisbon from the Convent of St. Francis da Citadel

50. The Open-Air Preacher

51. Distant view of Llandrillo

52. A Farmyard

53. A Lodge at Cassiobury

54. A Street in a Country Village

55. The Acacia Tree - Figures in a Park

56. Fishing Boats on the Beach with Sails Drying

57. View of London from Richmond House, Whitehall

58. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

59. An Orchestra Rehearsing

60. Landscape Looking Through Ruined Archway

61. View of the Falls of Niagara

62. Castle of Ostia with Mountains in the Distance

63. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

64. Premiere Position pour tirer L'Epée

65. Position pour la Garde en Quarte et le Coup de Quarte

66. Position pour le Garde en Tierce et le Coup de Tierce

67. Position pour la Garde en Quarte

68. Quatrieme Position du Salut

69. De la Parade de Tierce, sur le Coup de Tierce

70. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

71. De la Risposte de Quarte apres la Parade de Quarte

72. De la Parade Dequinte sur le Coup de Quinte

73. De la Risposte en Quinte de Pied forme sur le Coup de Seconde