Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
13
Edward Lear, 1812–1888
Abou Simbel; 8:10 A.M., 8 Feb. 1867 (369)
1867
14
Henry Swinburne, 1743–1803
View of a City Harbor
undated
15
Thomas Stothard, 1755–1834
A Study for the Wellington Monument
undated
16
Samuel Prout, 1783–1852
Fishing Boats on the Beach with Sails Drying
undated
17
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
18
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
19
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
20
unknown artist
St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710
undated
21
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
22
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
23
unknown artist
Shed
undated
24
Thomas Rowlandson, 1756–1827
The Shipwrecked Sailors
undated
25
Thomas Rowlandson, 1756–1827
The Grand Master or the Adventures of Qui Hi? in HIndostan
1814
26
Thomas Rowlandson, 1756–1827
Dr Syntax & Dairymaid
1821
27
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
28
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
29
unknown artist
Cumberland Landscape
undated
30
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
31
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
32
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
33
Thomas Rowlandson, 1756–1827
Women Drinking Punch
undated
34
Thomas Rowlandson, 1756–1827
Sleeping Woman Watched by a Man
undated
35
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
36
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
37
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
38
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
39
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
40
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
41
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
42
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
43
Mrs. P. D. H. Page, 20th century
Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]
undated
44
Cecil Charles Windsor Aldin, 1870–1935
'The Hounds Began Suddenly to Howl in Chorus'
undated
45
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
46
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
47
Mrs. P. D. H. Page, 20th century
Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
undated
48
Mrs. P. D. H. Page, 20th century
Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
undated
49
Mrs. P. D. H. Page, 20th century
Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
undated
50
Mrs. P. D. H. Page, 20th century
Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
undated
51
Mrs. P. D. H. Page, 20th century
Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
undated
52
unknown artist
A Cutter and Other Shipping in a Breeze
1827-1828
53
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
54
Thomas Rowlandson, 1756–1827
Elegant Company Dancing
undated
55
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Gourmands at Dinner
1798
56
Thomas Rowlandson, 1756–1827
A Black Leg Detected Secreting Cards
undated
57
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
58
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
59
William Alexander, 1767–1816
One of the Embassy Yachts
ca. 1794
60
Sir Edwin Henry Landseer, 1802–1873
Janie Ellice: Full Length Sketch
1835 to 1841
61
George Cruikshank, 1792–1878
Sketch for the Scene of a Battle
undated
62
Thomas Rowlandson, 1756–1827
The Maniac
1787
63
Thomas Rowlandson, 1756–1827
The Elopement
1792
64
James Moore, 1762–1799
Bungay Castle
1790
65
Thomas Rowlandson, 1756–1827
The Billiard Room
ca. 1801
66
Thomas Rowlandson, 1756–1827
The Cloisters of a Monastery
undated
67
Charles Hamilton Smith, 1776–1859
Paradoxurus Dubius
ca. 1837
68
James Stewart, 1791–1863
The Great Sea Serpent
ca. 1837
69
James Stewart, 1791–1863
The Ringed Seal
ca. 1837
70
James Stewart, 1791–1863
The Ringed Seal
ca. 1837
71
James Stewart, 1791–1863
The West Indian Manatee
ca. 1837
72
James Stewart, 1791–1863
South American Sea Lion
ca. 1837
73
James Stewart, 1791–1863
The Leopard Seal
ca. 1837
74
James Stewart, 1791–1863
The Kracken, Supposed a Sepia or Cuttle Fish
ca. 1837
75
Charles Hamilton Smith, 1776–1859
Snow Leopard
ca. 1837
76
Charles Hamilton Smith, 1776–1859
Pink Fairy Armadillo
ca. 1837
77
James Stewart, 1791–1863
The Great Sea Serpent
ca. 1837
78
James Stewart, 1791–1863
The Bearded Seal
ca. 1837
79
A. Fussel, active 1838–1881
The Brown Fur Seal
ca. 1837
80
Possibly by Rev. William Gilpin, 1724–1804
Landscape
undated
81
Sawrey Gilpin, 1733–1807
A Dwelling
ca. 1760
82
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
83
Rev. William Gilpin, 1724–1804
Pine Trees and Castle in a Landscape
between 1762 and 1783
84
Isaac Weld, 1774–1856
Arco di Druso
1818
85
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
86
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
87
Joseph Cartwright, c.1789–1829
Sixty-six Guns: Single Frigate
undated
88
Joseph Cartwright, c.1789–1829
Single Battleship, Stern Forward
undated
89
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
90
Benjamin Robert Haydon, 1786–1846
Portrait Studies
undated
91
Willey Reveley, 1760–1799
Views in the Levant: Study of a Woman Wearing Turkish Costume
ca. 1785
92
Benjamin Robert Haydon, 1786–1846
Study for, Agony in the Garden
undated
93
Sir Robert Smirke the younger, 1781–1867
The Mad House in the Suburbs of Vienna
1804
94
James Miller, active 1773–1814
View of Isleworth Church
undated
95
James Miller, active 1773–1814
View of a House
undated
96
James Miller, active 1773–1814
Tree amidst Houses
undated
97
James Miller, active 1773–1814
House With Tree
undated
98
Mrs. P. D. H. Page, 20th century
Soldier-Fish, after the original by John White in the British Museum [Caribbean and Oceanic, No. 25 A]
undated
99
Mrs. P. D. H. Page, 20th century
Flamingo, after the original by John White in the British Museum [Caribbean and Oceanic, No. 15]