Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
8
John Thomas Smith, 1766–1833
The Smock Exposed
1817
9
John Thomas Smith, 1766–1833
The Reconcilation
1817
10
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
11
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
12
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
13
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
14
Attributed to George Perfect Harding, 1780–1853
Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley
undated
15
Benjamin Robert Haydon, 1786–1846
The Banishment of Aristides
undated
16
James Lewis, 1751–1820
Design for a Country House
undated
17
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
18
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
19
Joseph Powell, 1780–1834
Fisherman's Quarters, Robin Hood's Bay
undated
20
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
21
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
22
Thomas Hearne, 1744–1817
Farmhouse and Buildings by a Stream
undated
23
James Paine, 1717–1789
Design for a Temple on a Square Plan and with a Dome: Elevation
undated
24
Thomas Patch, 1725–1782
Valentino, Servitore de Piazza
1769
25
Sir James Thornhill, 1675–1734
Design for a Lunette
undated
26
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
27
Charles Gore, 1729–1807
View of Arundel
undated
28
Claude de Jongh, ca. 1600–1663
A Tudor Manor House and Church
1625
29
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
30
unknown artist
Gondola and House: Venice
undated
31
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
32
Paul Sandby, 1731–1809
Landscape with a Milk Maid and a Beau
undated
33
Charles Brooking, 1723–1759
Two Frigates before the Wind
undated
34
Samuel Prout, 1783–1852
Beach Scene
undated
35
Samuel Prout, 1783–1852
Church and Cottages
undated
36
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
37
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
38
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
39
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
40
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Screen
undated
41
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
42
Sir Charles D'Oyly, 1781–1845
View of Part of Chowringhee - Calcutta
undated
43
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
44
attributed to Paul Sandby, 1731–1809
Two Boats at Anchor
undated
45
Thomas Rowlandson, 1756–1827
Portrait Study of John Philip Kemble
undated
46
Thomas Rowlandson, 1756–1827
Landscape with a Hunting Party
undated
47
Thomas Rowlandson, 1756–1827
Loading a Cart for Market
undated
48
Thomas Rowlandson, 1756–1827
Customs House at Boulogne
1790s
49
Thomas Rowlandson, 1756–1827
A Man Driving a Team of Six Girls
between 1778 and 1780
50
Walter Richard Sickert, 1860–1942
Auberville
undated
51
William Roberts, 1895–1980
Eight Figures Walking
between 1912 and 1922
52
Thomas Girtin, 1775–1802
Country House
ca. 1797
53
Heneage Finch fourth Earl of Aylesford, 1751–1812
Landscape with a Bridge
1790 to 1795
54
Capt. Francis Grose, 1731–1791
View of Ipswich, Suffolk
1765
55
Walter Richard Sickert, 1860–1942
Figure Studies
undated
56
Hubert-François Gravelot, 1699–1773
Port Mahon
between 1756 and 1773
57
Samuel Atkins, active 1787–1808
Merchant Ship off Shore
undated
58
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
59
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
60
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
61
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
62
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
63
Thomas Rowlandson, 1756–1827
A Dutch Packet in a Rising Breeze
1791
64
Michael Angelo Hayes, 1811–1880
Two Shakos of the Dublin Militia: One Green, One Red
undated
65
William Byron, fourth Baron Byron, 1669–1736
View of a Park with Deer
undated
66
Henry William Bunbury, 1750–1811
A Travelling Coach and Pair
undated
67
unknown artist
Tattersall's Training School
1771
68
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
69
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
70
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
71
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
72
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
73
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
74
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
75
Thomas Rowlandson, 1756–1827
Falls on the River Conwy, North Wales
undated
76
Thomas Daniell, 1749–1840
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
77
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
78
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
79
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
80
Peter DeWint, 1784–1849
A Meet in the grounds of Raby Castle
undated
81
Thomas Malton, 1726–1801
A View of the North Front of Chelsea Hospital
undated
82
Charles Samuel Keene, 1823–1891
An Indoor Military Riding School With an Instructor Teaching Recruits to Trot
undated
83
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
1872
84
Joseph Murray Ince, 1806–1859
The Horse Guards From the Bridge, St. James's Park
1833
85
Attributed to Batty Langley, 1696–1751
Moody Hall: Floor Plan of the First Design
undated
86
Giulio Aristide Sartorio, 1860–1932
Struggle Between Man and Horse
undated
87
John Minton, 1917–1957
Reading
undated
88
George Dance, 1741–1825
And Courtiers to Their Idol Bend
undated
89
Samuel Atkins, active 1787–1808
A Third-Rate in Coastal Waters
1788
90
Sir Jeffry Wyatville, 1766–1840
Design for the Hermitage, Virginia Water
undated
91
Sir Jeffry Wyatville, 1766–1840
Design for Rustic Bridge below the Cascade, Virginia Water