Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
2
John Thomas Smith, 1766–1833
The Smock Exposed
1817
3
John Thomas Smith, 1766–1833
The Reconcilation
1817
4
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
5
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
6
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
7
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
8
Joseph Powell, 1780–1834
Fisherman's Quarters, Robin Hood's Bay
undated
9
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
10
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
11
Samuel Prout, 1783–1852
Church and Cottages
undated
12
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
13
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
14
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
15
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
16
Thomas Rowlandson, 1756–1827
Customs House at Boulogne
1790s
17
Michael Angelo Hayes, 1811–1880
Two Shakos of the Dublin Militia: One Green, One Red