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1
- Trees and Deer
- 1825
2
- Tepelene, 19 April 1857
- 1857
3
- Near Dakkeh
- 1867
4
- Kulat Adde, near Abu Simbel
- 1867
5
- Memphis
- 1867
6
- Harb. Gozo
- 1866
7
- Sliema
- 1866
8
- Sunset
- 1867
9
- Between Thebes and Erment
- 1867
10
- Deir Kadige, noon, January 2, 1867 (26)
- 1867
11
- Dendera
- 1867
12
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
13
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
14
- Abou Simbel; 8:10 A.M., 8 Feb. 1867 (369)
- 1867
15
- View of a City Harbor
- undated
16
- Porto Azzurro
- 1777 to 1778
17
- Mount Vesuvius
- 1777 to 1778
18
- Bagneres-de-Bigoree, France
- undated
19
- Modena, Italy
- 1777 to 1778
20
- Aix la Chapelle
- undated
21
- Study of Caryatides for Statue of Sir Thomas of Monro
- 1806
22
- A Study for the Wellington Monument
- undated
23
- How to Ride without a Bridle
- undated
24
- Fishing Boats on the Beach with Sails Drying
- undated
25
- The Welsh Curate
- undated
26
- Cobham Hall, Kent: Design for a Lintel for One End of a Passage
- ca. 1790
27
- Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
- ca. 1790
28
- Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
- 1802
29
- St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710
- undated
30
- Portrait of a Lady, called Mademoiselle Sontag
- 1805
31
- A Snarling Dog Chained to Kennel
- early 19th century
32
- Horse on a Sea Shore, Tall Rock Behind
- undated
33
- Study of a Galloping Horse
- undated
34
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
35
- Family Group
- undated
36
- The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
- undated
37
- Design for a Shop Front: Elevation
- undated
38
- Shed
- undated
39
- Window West End, South Aisle, Saint Vincent
- undated
40
- Design for a Stained Glass Window
- undated
41
- Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
- undated
42
- Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches
- undated
43
- The Shipwrecked Sailors
- undated
44
- The Grand Master or the Adventures of Qui Hi? in HIndostan
- 1814
45
- Dr Syntax & Dairymaid
- 1821
46
- A Worn Out Debauchée
- between 1790 and 1795
47
- Shipping Scene with Three Figures on shore
- between 1745 and 1748
48
- Cumberland Landscape
- undated
49
- Courtyard of an Inn on the Thames
- undated
50
- A Mill by a Waterfall
- undated
51
- Trees and a Distant Castle
- undated
52
- At Ashford
- 1818
53
- Design for a Medal: Seated Women Being Crowned by a Winged Genius
- undated
54
- Design for a Coin: Chambre du Commerce de Picarde; First Draft
- ca. 1761
55
- Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
- undated
56
- Study of a Seated Woman
- 1791
57
- Woman Reading, Seated Before a Window
- 1805
58
- Figure Leaning over Stairs
- 1789
59
- Frontispiece design for John Fayram's "Eight Views after Nature"
- ca. 1739
60
- Layout Design for a Bookplate
- undated
61
- Trees Overhanging a Lake
- between 1803 and 1807
62
- Women Drinking Punch
- undated
63
- Sleeping Woman Watched by a Man
- undated
64
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
- undated
65
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
- undated
66
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
- undated
67
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
- undated
68
- Three Greyhounds in a Room
- undated
69
- Woodcock Shooting
- undated
70
- An English Postilion
- ca. 1785
71
- Breakfast before the Hunt
- between 1785 and 1790
72
- A Hare Running, with Ears Pricked
- undated
73
- A Soldier's Knapsack: Two Studies, Side and Front View
- undated
![Mrs. P. D. H. Page Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]](https://media.collections.yale.edu/thumbnail/ycba/a902d436-2730-4fbc-91fc-d91030f21d58)
74
- Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]
- undated
75
- Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
- undated
76
- 'The Hounds Began Suddenly to Howl in Chorus'
- undated
77
- Kitty Overcome
- 1821
78
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
- undated
79
- Two Riders Seen from Behind, Oct. 10, 1822
- 1822
![Mrs. P. D. H. Page Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]](https://media.collections.yale.edu/thumbnail/ycba/ce2d75d5-c314-42ed-b20d-412528154008)
80
- Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
- undated
![Mrs. P. D. H. Page Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]](https://media.collections.yale.edu/thumbnail/ycba/a03b36b7-6c99-4512-b4fa-3c4186981748)
81
- Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
- undated
![Mrs. P. D. H. Page Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]](https://media.collections.yale.edu/thumbnail/ycba/bbc99485-4f93-4187-956f-c96efbe704e7)
82
- Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
- undated
![Mrs. P. D. H. Page Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]](https://media.collections.yale.edu/thumbnail/ycba/0b549174-a451-47cc-9a05-34e72bc46de9)
83
- Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
- undated
![Mrs. P. D. H. Page Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]](https://media.collections.yale.edu/thumbnail/ycba/141b5caf-9595-44ad-8e65-9995c82fa436)
84
- Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
- undated
85
- A Cutter and Other Shipping in a Breeze
- 1827-1828
86
- A Chestnut Horse at Exercise
- undated
87
- Elegant Company Dancing
- undated
88
- Comforts of Bath: Gouty Gourmands at Dinner
- 1798
89
- A Black Leg Detected Secreting Cards
- undated
90
- Raphael receiving the money of Tobias from Gabael: Tobit 9:5
- undated
91
- Profile of a Man
- undated
92
- Acrobatic Figures
- undated
93
- Classical Landscape with Two Figures on Lake Shore
- between 1745 and 1748
94
- One of the Embassy Yachts
- ca. 1794
95
- A Third-Rate in Coastal Waters
- 1788
96
- Janie Ellice: Full Length Sketch
- 1835 to 1841
97
- Sketch for the Scene of a Battle
- undated
98
- The Maniac
- 1787
99
- The Elopement
- 1792
100
- Bungay Castle
- 1790