Materials & Techniques: pen / Width [cm]: 39 - YCBA Collections Search Search Results

1. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Fowl Body, Lateral View (Study for key figure to Table X)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 x 15 1/4 inches (53 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Abraham and Isaac

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Rocky Valley of Mosta, Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 9 1/4 x 13 7/16 inches (23.5 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

6. Borghese Gladiator

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink over graphite, verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

7. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Bishop's Palace, Wells, Somerset: Elevation of Fireplace in Cloisters

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black and violet ink with graphite and purple ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 15 1/4 inches (25.1 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Sketch of the Line of the Shaft and Inner Angle of the Abacus

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink, and graphite on thin, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/2 × 15 7/16 inches (29.2 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Landscape with Two Trees and Castle

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/4in. (27.8 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

11. View of Plymouth taken from the Seven Trees, Exeter Road

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 15 3/8in. (26.7 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Traveling Barge

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 14 1/2 × 18 1/2 inches (36.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Barnes Common, June 1836

Creator:: T. E. Jeffers, active 1836
Date:: 1836
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink and gray ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 13 5/16 inches (24.4 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 27 3/8 × 19 7/16 inches (69.5 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. London Cries: A Milkmaid

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Return From the Chase, After a Fall

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The London-Dover Royal Mail, c. 1830-1840

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Nun Mill, Northamptonshire

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1762
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 15 1/2in. (21.6 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

26. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 26 × 20 9/16 inches (66 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 27 1/16 × 20 11/16 inches (68.7 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 24 9/16 × 18 1/2 inches (62.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 26 1/2 × 19 7/16 inches (67.3 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Design for a Cope

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and blue ink on thin, smooth, white fabric
Dimensions:: Sheet: 10 1/2 x 15 3/8 inches (26.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View of Part of Chowringhee - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Mount: 7 15/16 × 16 5/8 inches (20.2 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Mansion House

Creator:: John Maurer, active 1713–1761
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Mother and Two Children

Creator:: Benjamin West, 1738–1820
Date:: 1786
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 10 5/8 inches (29.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The South-west View of Battle Abbey in the County of Sussex

Creator:: Samuel Buck, 1696–1779
Date:: 1735
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Bridge, Walton on Thames

Creator:: Augustin Heckel, 1690–1770
Date:: ca. 1750
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. London Cries: A Muffin Man

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Headfort House, Ireland: Ceiling of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: between 1771 and 1775
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 15 1/2 inches (31.4 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Great Gate of St. Augustine's Monastery, Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and gray ink over graphite on thick, textured, cream laid paper on contemporary mount
Dimensions:: Sheet: 8 1/8 × 15 3/16 inches (20.6 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Well at Bolonchen, Yucatan

Creator:: Frederick Catherwood, 1799–1854
Date:: 1843
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, slightly textured, cream wove paper
Dimensions:: Mount: 20 3/16 × 15 5/16 inches (51.3 × 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

47. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Fountain's Boarding School, Marylebone

Creator:: James Miller, active 1773–1814
Date:: 1780
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount
Dimensions:: Sheet: 9 3/4 x 14 13/16in. (24.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Spy's Taken at Greenwich on Easter Monday

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: undated
Materials & Techniques:: Pen and ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 15 1/2 inches (32.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Lord Harrington Leaving Mother Matthew's

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 x 11 11/16 inches (23.2 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Drury Lane. The School for Scandal

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Carrier's Waggon

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 15 3/16 inches (25.7 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Launching of H.M.S. 'Hibernia' 1804

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1804
Materials & Techniques:: Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Barn Elmes

Creator:: Edward Edwards, 1738–1806
Date:: 1793
Materials & Techniques:: Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount)
Dimensions:: Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Cubhunting with the North Cotswold, Oct. 1911, with vignettes

Creator:: Lionel Edwards, 1878–1966
Date:: 1911
Materials & Techniques:: Watercolor, pen and black ink, graphite, black chalk, and gouache on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 14 7/8 × 20 3/16 inches (37.8 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 25 1/4 × 19 5/16 inches (64.1 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques pen

Width [cm] 39

Search Results

1. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

2. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

3. Fowl Body, Lateral View (Study for key figure to Table X)

4. Abraham and Isaac

5. Rocky Valley of Mosta, Malta

6. Borghese Gladiator

7. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

8. Bishop's Palace, Wells, Somerset: Elevation of Fireplace in Cloisters

9. Sketch of the Line of the Shaft and Inner Angle of the Abacus

10. Landscape with Two Trees and Castle

11. View of Plymouth taken from the Seven Trees, Exeter Road

12. The Traveling Barge

13. Barnes Common, June 1836

14. Design after a Greek Vase

15. London Cries: A Milkmaid

16. Du Desarmement Aprés Avoir Paré le Coup de Quarte

17. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

18. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

19. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

20. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

21. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

22. Risposte Aprés Avoir Trompé la Parade du Poignard

23. Return From the Chase, After a Fall

24. The London-Dover Royal Mail, c. 1830-1840

25. Nun Mill, Northamptonshire

26. Design after a Greek Vase

27. Design after a Greek Vase

28. Design after a Greek Vase

29. Design after a Greek Vase

30. Design for a Cope

31. View of Part of Chowringhee - Calcutta

32. The Mansion House

33. A Mother and Two Children

34. The South-west View of Battle Abbey in the County of Sussex

35. The Bridge, Walton on Thames

36. Position pour la Garde en Quarte et le Coup de Quarte

37. Position pour le Garde en Tierce et le Coup de Tierce

38. Position de la Garde en Quarte, et le Coup de Quarte Basse

39. De la Risposte de Quarte apres la Parade de Quarte

40. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

41. De la Passe en Quarte du Dehors des Armes

42. Du Desarmement sur le Coup de Tierce

43. London Cries: A Muffin Man

44. Headfort House, Ireland: Ceiling of the Eating Parlor

45. The Great Gate of St. Augustine's Monastery, Canterbury

46. Well at Bolonchen, Yucatan

47. Tivoli

48. Fountain's Boarding School, Marylebone

49. Spy's Taken at Greenwich on Easter Monday

50. Lord Harrington Leaving Mother Matthew's

51. Drury Lane. The School for Scandal

52. A Carrier's Waggon

53. The Launching of H.M.S. 'Hibernia' 1804

54. Barn Elmes

55. Cubhunting with the North Cotswold, Oct. 1911, with vignettes

56. Design after a Greek Vase