Materials & Techniques: pen / Topic subjectplace ss: United Kingdom

301. Stainborough Hall, Yorkshire: Front and Back Elevations

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/8 × 4 5/8 inches (23.8 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Bush Hill, Edmonton, London: Plan of a Knot Garden

Creator:: unknown artist
Date:: 1713
Materials & Techniques:: Graphite, pen and brown ink, and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 5 1/2 inches (25.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Design for Ardgowan House, Scotland: Attic Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 9/16 inches (28.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Design for Ardgowan House, Scotland: South South East Elevation

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 1/2 inches (28.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Design for Ardgowan House, Scotland: North North West Elevation

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:: Mount: 14 5/8 x 17 1/2 inches (37.1 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Cumberland Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 7 3/4 inches (13 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Courtyard of an Inn on the Thames

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 8 inches (31.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Buildwas Abbey, Shropshire

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. The Island of Hoy, the Orkneys

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor, pen, brown ink, graphite, gray ink, and gray wash on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Elgin Cathedral, Moray

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Stepping Stones on the River Duddon, Lake District

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Cookham on the Thames, Berkshire

Creator:: Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Matlock Baths, Derbyshire

Creator:: William Day, 1764–1807
Date:: ca. 1789
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Windsor Castle

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Renard's Hole, Dovedale, Derbyshire

Creator:: William Day, 1764–1807
Date:: 1789
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gray ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 14 7/8 inches (33.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Shipping off Staffa

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1842
Materials & Techniques:: Watercolor, pen, brown ink, gray ink, black ink, gouache, gum, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 3/8 inches (31.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. The Head of Loch Fyne, with Dindarra Castle

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1850
Materials & Techniques:: Watercolor, pen, brown ink, gouache, gum, and graphite, with scraping on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Ashtead

Creator:: Attributed to Hon. Daniel Finch, 1789–1868
Date:: 1833
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 inches (20.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Valley of Rocks, Lynton, North Devon

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Matlock High Tor, Derbyshire

Creator:: John Emes, 1762–1810
Date:: ca. 1786
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 12 1/2 inches (37 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. A View of Chatham from the West

Creator:: Jacob Esselens, 1626–1687
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 12 1/4 inches (18.7 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Arches in the City Wall, Canterbury

Creator:: Capt. Francis Grose, 1731–1791
Date:: before 1769
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, cream laid paper mounted on contemporary heavy textured laid paper Mount: Thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 14 13/16in. (26 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Quarry House near Bletchingley, Surrey

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1765
Materials & Techniques:: Watercolor, pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 15 inches (21 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. View of Ipswich, Suffolk

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1765
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured cream laid paper
Dimensions:: Sheet: 7 7/8 x 14 1/16in. (20 x 35.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Great Bookham, Surrey

Creator:: Henry Edridge, 1769–1821
Date:: 1814
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 18 1/16 inches (29.7 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Barn Elmes

Creator:: Edward Edwards, 1738–1806
Date:: 1793
Materials & Techniques:: Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount)
Dimensions:: Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Leicester, St. Mary's Church

Creator:: Edward Edwards, 1738–1806
Date:: 1778
Materials & Techniques:: Gray wash, pen, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Archiepiscopal Palace, Wrotham, Kent

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 7 5/8 x 8 3/4 inches (19.4 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. At Ashford

Creator:: Attributed to Rev. Daniel Finch, 1757–1840
Date:: 1818
Materials & Techniques:: Pen and brown ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 8 inches (21.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Boxhill from Westhumble Lane

Creator:: Henry Edridge, 1769–1821
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 12 1/2 x 19 1/16in. (31.8 x 48.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. View of St. Paul's from Greenwich

Creator:: George Bulteel Fisher, 1764–1834
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Design for St. David, Pantasaph, Flintshire. East Elevation

Creator:: Thomas Henry Wyatt, 1807–1880
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, watercolor on slightly textured, moderately thick, brown wove paper
Dimensions:: Sheet: 6 9/16 × 5 3/8 inches (16.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Beinecke Rare Book and Manuscript Library

334. The Fair at Cheltenham

Creator:: Edward Eyre, active 1771–1792
Date:: 1775
Materials & Techniques:: Watercolor, pen, brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 15 1/8 inches (24.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Slate Quarry at Widecombe, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1792
Materials & Techniques:: Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. The Mouth of the Cavern at Castleton in the Peak of Derby

Creator:: John White Abbott, 1763–1851
Date:: 1791
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. View from a Wood, Overlooking the River and Hills at Teignmouth, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1810
Materials & Techniques:: Gray wash, pen, gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge

Creator:: John White Abbott, 1763–1851
Date:: 1811
Materials & Techniques:: Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Windermere During the Regatta

Creator:: David Cox, 1783–1859
Date:: 1832
Materials & Techniques:: Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

340. A Scene in Derbyshire; Industrial Works spanning a River

Creator:: William Day, 1764–1807
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/16 × 18 3/16 inches (30.6 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Canonteign

Creator:: John White Abbott, 1763–1851
Date:: 1808
Materials & Techniques:: Gray wash and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 3/8 inches (26.7 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Figures on a Rocky River Bank at Canonteign, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1801
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. The Courtyard of Mr. Bank's House, Northernhay, Exeter

Creator:: John White Abbott, 1763–1851
Date:: 1816
Materials & Techniques:: Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left

Creator:: John White Abbott, 1763–1851
Date:: 1810
Materials & Techniques:: Watercolor, gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. St. Davids Head, Pembrokeshire

Creator:: John Glover, 1767–1849
Date:: ca. 1805
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 25 3/16 inches (36.5 × 64 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Iola S. Haverstick Fund

346. Plan of Westminster Showing the Coronation Route of George II

Creator:: unknown artist
Date:: ca. 1727
Materials & Techniques:: Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Section of the Court of Common Pleas and the Robery Room

Creator:: Studio of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Plan of the Old Parliament Houses, Westminster

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Mr. Lee's House After the Fire, House of Lords

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Pen and black ink and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/8 × 9 15/16 inches (20 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. The Vicar Selling his Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. The Fair Penitent

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. The Scold, with News of Olivia

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Comforts of Bath: The Concert

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Comforts of Bath: Gouty Persons Fall on Steep HIll

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and black ink, and graphite; verso: extensive watercolor blots on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

Creator:: Possibly Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. The Earthquake Scare in Piccadilly

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1750
Materials & Techniques:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Greenwich

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795 to 1800
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. The Admiralty Building from Whitehall

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 1/4 inches (18.4 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 3/4 inches (18.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. A Groom, Berkshire

Creator:: Joshua Cristall, 1768–1847
Date:: ca. 1816
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 x 6 1/4 inches (33 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. The Banqueting House, Whitehall, from the River

Creator:: George Shepheard, ca. 1770–1842
Date:: ca. 1810
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 inches (23.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Skating in Hyde Park

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. A Race on the Knavesmire at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. 'A Whistler!'

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 10 3/8 inches (21.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Design for a Chapel at Enfield: Transverse Sections of the East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 9/16 inches (32.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. The London Citizen

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Bathing Machine on the Common, near Southsea Castle

Creator:: John Nixon, ca. 1760–1818
Date:: 1788
Materials & Techniques:: Watercolor, pen, and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 5/8 inches (12.1 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. The Comforts of Bath: The Breakfast

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Caernarfon Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on very thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/4 x 9 1/2 inches (26 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. The South Gate, Exeter

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Bodmin Cornwall: The Arrival of the Stage-Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Plymouth Dock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:: Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Norwich Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray-brown ink, and wash over graphite; verso: pen and gray brown ink and wash over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 6 7/8 inches (13.8 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. A Review on Blackheath, May 1785

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Falls on the River Conwy, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. A Match at Newmarket

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Creator:: Thomas Daniell, 1749–1840
Date:: 1796
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. A Horseman in a Landscape

Creator:: James Ward, 1769–1859
Date:: 1814
Materials & Techniques:: Pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 13/16 inches (25.2 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. A Meet in the grounds of Raby Castle

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Graphite, white gouache, and pen and black ink on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 7 7/8 × 12 inches (20 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. [One of] Five Designs for a Church

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite and pen and brown and red ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 21 × 13 1/8 inches (53.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Canonteign, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1804
Materials & Techniques:: Watercolor with pen and gray ink on six joined sheets of medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 3/4 x 29 3/8 inches (60.3 x 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

397. Comforts of Bath: The Bath

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. [One of] Five Designs for a Church

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 20 7/8 inches (33.3 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1852
Materials & Techniques:: watercolor, pen and brown ink, black ink, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/16 x 14 7/16 inches (26.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. St. Michael's Hill, Bristol

Creator:: Samuel Jackson, 1794–1869
Date:: ca. 1824
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 3/8 inches (16.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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301. Stainborough Hall, Yorkshire: Front and Back Elevations

302. Bush Hill, Edmonton, London: Plan of a Knot Garden

303. Design for Ardgowan House, Scotland: Attic Floor Plan

304. Design for Ardgowan House, Scotland: South South East Elevation

305. Design for Ardgowan House, Scotland: North North West Elevation

306. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

307. Cumberland Landscape

308. Courtyard of an Inn on the Thames

309. Buildwas Abbey, Shropshire

310. The Island of Hoy, the Orkneys

311. Elgin Cathedral, Moray

312. Stepping Stones on the River Duddon, Lake District

313. Cookham on the Thames, Berkshire

314. Matlock Baths, Derbyshire

315. Windsor Castle

316. Renard's Hole, Dovedale, Derbyshire

317. Shipping off Staffa

318. The Head of Loch Fyne, with Dindarra Castle

319. Ashtead

320. Valley of Rocks, Lynton, North Devon

321. Matlock High Tor, Derbyshire

322. A View of Chatham from the West

323. Arches in the City Wall, Canterbury

324. Quarry House near Bletchingley, Surrey

325. View of Ipswich, Suffolk

326. Great Bookham, Surrey

327. Barn Elmes

328. Leicester, St. Mary's Church

329. Archiepiscopal Palace, Wrotham, Kent

330. At Ashford

331. Boxhill from Westhumble Lane

332. View of St. Paul's from Greenwich

333. Design for St. David, Pantasaph, Flintshire. East Elevation

334. The Fair at Cheltenham

335. Slate Quarry at Widecombe, Devon

336. The Mouth of the Cavern at Castleton in the Peak of Derby

337. View from a Wood, Overlooking the River and Hills at Teignmouth, Devon

338. The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge

339. Windermere During the Regatta

340. A Scene in Derbyshire; Industrial Works spanning a River

341. Canonteign

342. Figures on a Rocky River Bank at Canonteign, Devon

343. The Courtyard of Mr. Bank's House, Northernhay, Exeter

344. The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left

345. St. Davids Head, Pembrokeshire

346. Plan of Westminster Showing the Coronation Route of George II

347. Section of the Court of Common Pleas and the Robery Room

348. Plan of the Old Parliament Houses, Westminster

349. Mr. Lee's House After the Fire, House of Lords

350. The Vicar Selling his Horse

351. The Fair Penitent

352. Attendance on a Nobleman

353. The Scold, with News of Olivia

354. Comforts of Bath: The Concert

355. Comforts of Bath: Gouty Persons Fall on Steep HIll

356. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

357. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

358. The Earthquake Scare in Piccadilly

359. The Canterbury-Dover Coach Passing Vanbrugh Castle

360. Design for a Chapel at Enfield: Longitudinal Section

361. Design for a London Townhouse: Elevation

362. Greenwich

363. The Admiralty Building from Whitehall

364. Design for a London Townhouse: Elevation

365. Design for a London Townhouse: Elevation

366. A Groom, Berkshire

367. The Banqueting House, Whitehall, from the River

368. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

369. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

370. Skating in Hyde Park

371. View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge

372. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

373. Unloading the Luggage From The Exeter Coach

374. A Race on the Knavesmire at York