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1001. Study of a Lioness

Study of a Lioness
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1812
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 4 3/8 × 6 3/8 inches (11.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1002. Study of Mary, Queen of Scots, Going to Execution

Study of Mary, Queen of Scots, Going to Execution
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 4 9/16 × 7 3/16 inches (11.6 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1003. Study of a Lioness

Study of a Lioness
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1812
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 4 3/8 × 6 1/8 inches (11.1 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1004. Study of a Figure, Holding a Dagger

Study of a Figure, Holding a Dagger
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk, pen and brown ink on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 4 9/16 × 7 5/16 inches (11.6 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1005. Study of Two Male Nudes

Study of Two Male Nudes
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1804
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1006. Study of a Man with Outstreched Arm

Study of a Man with Outstreched Arm
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 3/16 inches (29.8 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1007. Study of a Man with Outstretched Arm

Study of a Man with Outstretched Arm
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 10 1/4 inches (20.6 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1008. Portrait Studies

Portrait Studies
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 7 11/16 inches (30.8 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1009. Anatomical Study of a Leg

Anatomical Study of a Leg
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and gray ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 3 1/4 inches (14 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1010. Study of Christ Raising Lazarus

Study of Christ Raising Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1011. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1012. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 3 5/8 inches (14.3 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1013. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pan and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 9 5/8 inches (21.3 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1014. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 9/16 inches (19.4 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1015. Study of a Battle

Study of a Battle
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 1/4 × 5 5/8 inches (18.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1016. Study of a Group of Figures and a Study of a Man's Head

Study of a Group of Figures and a Study of a Man's Head
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 9/16 × 7 1/8 inches (24.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1017. Study of Nude Female

Study of Nude Female
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 7/8 inches (30.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1018. The Murder of Duncan - Study of Sleeping Grooms

The Murder of Duncan - Study of Sleeping Grooms
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, brown laid paper
Dimensions:
Sheet: 3 13/16 × 7 7/16 inches (9.7 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1019. Study of Women's Hairstyles

Study of Women's Hairstyles
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1020. Figure Study of a Man in a Formal Suit

Figure Study of a Man in a Formal Suit
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and black ink, white chalk, and black chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 3 3/4 × 2 7/8 inches (9.5 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1021. Figure Study of a Man in a Formal Suit

Figure Study of a Man in a Formal Suit
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
pen and brown ink, and brown wash on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 2 1/16 × 1 9/16 inches (5.2 × 4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1022. The Murder of Duncan - Macbeth Stabbing Duncan

The Murder of Duncan - Macbeth Stabbing Duncan
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Pen and brown ink on moderately thick, textured, brown laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 9 9/16 inches (14.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1023. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1024. Study of Facial Expressions

Study of Facial Expressions
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 6 3/4 inches (19.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1025. Figure Study of Women and Their Hairstyles

Figure Study of Women and Their Hairstyles
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 4 7/16 × 6 7/8 inches (11.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1026. Study of a Woman Pleading on Her Knees

Study of a Woman Pleading on Her Knees
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 1/8 × 3 11/16 inches (7.9 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1027. Study of Two Figures and Two Legs

Study of Two Figures and Two Legs
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
pen and brown ink and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1028. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1029. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink, brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 9/16 × 3 1/2 inches (9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1030. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/8 × 4 1/16 inches (8.6 × 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1031. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 5/8 inches (15.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1032. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/16 × 4 5/8 inches (11.3 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1033. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1034. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1035. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1036. Study of Figures Sitting Under a Tree

Study of Figures Sitting Under a Tree
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1806
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 9/16 × 5 3/4 inches (9 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1037. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 4 15/16 inches (20.3 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1038. Study of a Nude Male

Study of a Nude Male
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 7/16 × 2 15/16 inches (8.7 × 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1039. Study of a Woman and Child Playing

Study of a Woman and Child Playing
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 3 3/4 inches (15.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1040. Study of a Group of Standing Figures

Study of a Group of Standing Figures
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 1/16 × 3 1/2 inches (15.4 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1041. Portrait Study, of a Man's Profile

Portrait Study, of a Man's Profile
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 7/16 × 3 11/16 inches (13.8 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1042. Study of Faces

Study of Faces
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightlyy textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 7 13/16 inches (28.3 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1043. Study of a Group of Figures, Kneeling and Standing

Study of a Group of Figures, Kneeling and Standing
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1044. Study for a Battle Scene

Study for a Battle Scene
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 15/16 × 7 13/16 inches (15.1 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1045. Studies of the Face of Jesus

Studies of the Face of Jesus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 3/16 inches (19.7 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1046. Study for Napoleon Bonaparte

Study for Napoleon Bonaparte
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 9/16 × 4 inches (11.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1047. Study for, Agony in the Garden

Study for, Agony in the Garden
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 7 7/8 inches (31.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1048. Study for Napoleon Bonaparte

Study for Napoleon Bonaparte
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 × 6 1/16 inches (18.7 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1049. Study for Figures Sitting

Study for Figures Sitting
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 × 2 3/8 inches (8.9 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1050. Study for Hercules and Persephone

Study for Hercules and Persephone
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 × 4 11/16 inches (17.5 × 11.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1051. Portrait Studies

Portrait Studies
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 3 9/16 inches (15.2 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1052. Figure Study of a Nude Male with a Spear

Figure Study of a Nude Male with a Spear
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1804
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1053. Study of an Elderly Man's Portrait

Study of an Elderly Man's Portrait
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 1/8 × 3 7/16 inches (15.6 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1054. Study of a Figure

Study of a Figure
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 2 3/8 inches (8.9 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1055. Compositional Study of Soldiers

Compositional Study of Soldiers
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 5 3/8 inches (16.8 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1056. Figure Studies of a Nude Male with Spear

Figure Studies of a Nude Male with Spear
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1804
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 6 7/8 inches (12.1 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1057. Figure Study of a Nude Male

Figure Study of a Nude Male
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 7/8 × 3 11/16 inches (12.4 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1058. The Carthusian Convent at Trisulto

The Carthusian Convent at Trisulto
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1059. View at Valmontone. November 1790

View at Valmontone. November 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 22 5/16 inches (41.3 x 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1060. The Carthusian Convent at Trisulto

The Carthusian Convent at Trisulto
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1061. View at Valmontone. November 1790

View at Valmontone. November 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 22 5/8 inches (41.9 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1062. The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora

The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1063. The Carthusian Convent at Trisulto, near Alatri

The Carthusian Convent at Trisulto, near Alatri
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1064. Ducal Palace etc at Isola di Sora

Ducal Palace etc at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1065. Ducal Palace at Isola di Sora

Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1066. Convento del Carmine, at Isola di Sora

Convento del Carmine, at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1067. Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora

Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1068. Ducal Palace at Isola di Sora

Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1069. View on the river Liris, near Isola di Sora

View on the river Liris, near Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1070. View on the River Liris at Isola di Sora

View on the River Liris at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1071. View at Isola di Sora

View at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1072. Monastery of La Trappe, at Casamare

Monastery of La Trappe, at Casamare
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/4 inches (39.7 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1073. View on the Liris near Isola

View on the Liris near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1074. View on the River Liris, near Isola

View on the River Liris, near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1075. View on the River Liris

View on the River Liris
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/16 x 21 3/8 inches (38.6 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1076. View on the Liris, near Isola di Sora

View on the Liris, near Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1077. Church of S. Domenico on the river Fibrenus

Church of S. Domenico on the river Fibrenus
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 21 1/8 inches (38.4 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1078. View on the river Liris, near Isola

View on the river Liris, near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1079. View on the River Liris near Isola

View on the River Liris near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1080. View near Sora on the Liris

View near Sora on the Liris
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1081. Castle of Balzerrano, and Vale of Roveto, in Abbruzzo

Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1082. View on the river Liris, near Isola

View on the river Liris, near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1083. View in Abruzzo, May 1791

View in Abruzzo, May 1791
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 22 9/16 inches (41.4 x 57.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1084. View on the river Vulturnus, Sept.r 1790

View on the river Vulturnus, Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 22 1/16 inches (40.3 x 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1085. A Mill at Marino, near Rome

A Mill at Marino, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 15/16 inches (34 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1086. Castle of Balzerrano, in Abbruzo

Castle of Balzerrano, in Abbruzo
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 20 7/8 inches (39.1 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1087. At Grotto Ferrata, near Rome

At Grotto Ferrata, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 16 7/8 inches (28.3 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1088. The Pont du Gard in Languedoc

The Pont du Gard in Languedoc
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29.1 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1089. A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum

A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 16 15/16 inches (28.7 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1090. At Marino, near Rome

At Marino, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 16 15/16 inches (27.9 x 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1091. A Convent at Albano overlooking the Campagna

A Convent at Albano overlooking the Campagna
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 16 7/8 inches (28.3 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1092. An Ancient Sepulchre at Albano

An Ancient Sepulchre at Albano
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 17 inches (29.5 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1093. Amphitheatre at Pola in Istria

Amphitheatre at Pola in Istria
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1788 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 18 3/16 inches (29.1 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1094. At Larici near Albano in Italy

At Larici near Albano in Italy
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 1/16 inches (34 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1095. An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii

An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1096. The Lake of Nemi called Speculum Diane

The Lake of Nemi called Speculum Diane
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/16 x 20 1/8 inches (33.5 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1097. The Capuchin Convent at Albano, Castel Gandolfo

The Capuchin Convent at Albano, Castel Gandolfo
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 x 20 1/8 inches (34.4 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1098. The Town and Lake of Nemi, in Italy

The Town and Lake of Nemi, in Italy
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/16 x 20 3/16 inches (34.1 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1099. The Capuchin Convent at Gensano

The Capuchin Convent at Gensano
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 15/16 x 20 1/16 inches (35.4 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1100. At Tivoli, near Rome

At Tivoli, near Rome
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1786 to 1819
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 3/16 inches (34 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection