Langford House, Dublin, Ireland: Elevations of Room Facing Mary Street
1765
1302
Robert Adam, 1728–1792
Headfort House, Ireland: Detail of the Lady's Room Ceiling
1772
1303
Robert Adam, 1728–1792
Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
1304
Robert Adam, 1728–1792
Headfort House, Ireland: Lady's Room Ceiling
1772
1305
Thomas Shotter Boys, 1803–1874
View Near Arundel Castle
1823 and 1874
1306
Robert Adam, 1728–1792
Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
1765
1307
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
1308
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
1309
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
1310
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
1311
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
1312
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
1313
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
1314
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
1315
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
1316
John Thomas Smith, 1766–1833
The Smock Exposed
1817
1317
John Thomas Smith, 1766–1833
The Reconcilation
1817
1318
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
1319
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
1320
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
1321
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
1322
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
1323
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
1324
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
1325
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
1326
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
1327
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
1328
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
1329
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
1330
Hubert-François Gravelot, 1699–1773
Design for Medal: Both Hands Fil'd for Britain
undated
1331
Louis Philippe Boitard, active 1734–1760
Self-Portrait with Two Young Men
between 1730 and 1740
1332
Samuel Prout, 1783–1852
Beach Scene
undated
1333
Johann Heinrich Ramberg, 1763–1840
The Assignation
undated
1334
John Minton, 1917–1957
Landscape
undated
1335
Keith Vaughan, 1912–1977
Barnyard Scene
1944
1336
Francis Oliver Finch, 1802–1862
Classical Scene
undated
1337
Robert Adam, 1728–1792
Headfort House: Moldings in the Hall
1772
1338
Robert Adam, 1728–1792
Headfort House: Moldings in the Great Room
1772
1339
Robert Adam, 1728–1792
Headfort House: Staircase Moldings
1772
1340
circle of Benjamin West, 1738–1820
A Scene from Roman History
undated
1341
Samuel Buck, 1696–1779
The South View of Berwick Upon Tweed
ca. 1743-1745
1342
Benjamin Robert Haydon, 1786–1846
Study of a Male Nude
undated
1343
Benjamin Robert Haydon, 1786–1846
Figure Studies of a Man Rising From the Ground
undated
1344
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
1345
Sir Richard Colt Hoare, 1758–1838
The Tomb of Plautius, near Tivoli
1786 to 1819
1346
Sir Richard Colt Hoare, 1758–1838
At Tivoli, near Rome
1786 to 1819
1347
Sir Richard Colt Hoare, 1758–1838
A view of Vicovaro alias Vicus Varii
1786 to 1819
1348
Sir Richard Colt Hoare, 1758–1838
The Convent of St. Cosimato, and part of the Claudian Aqueduct
1786 to 1819
1349
Sir Charles D'Oyly, 1781–1845
View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul
undated
1350
Sir Charles D'Oyly, 1781–1845
Government House from St. Andrew's Library - Calcutta
between 1833 and 1838
1351
Sir Charles D'Oyly, 1781–1845
Old Courthouse Street on Tank Square
between 1833 and 1838
1352
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
1353
Elias Martin, 1739–1818
Reading Lesson at a Dame School
undated
1354
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
1355
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
1356
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
1357
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
1358
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
1359
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
1360
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
1361
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
1362
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
1363
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
1364
Sir Robert Smirke the younger, 1781–1867
The Mad House in the Suburbs of Vienna
1804
1365
Sir Robert Smirke the younger, 1781–1867
Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
1802-1804
1366
Sir Robert Smirke the younger, 1781–1867
Sketch of the Plan of the Church of Saint Wenceslas in Prague
1802-1804
1367
Sir Robert Smirke the younger, 1781–1867
A Villa Near Potsdam
1802-1804
1368
Sir Robert Smirke the younger, 1781–1867
One of the Entrances to Potsdam
1804
1369
Sir Robert Smirke the younger, 1781–1867
Jungfern Bridge
1802-1804
1370
Sir Robert Smirke the younger, 1781–1867
Sketch of a Public Building
1802-1804
1371
Sir Robert Smirke the younger, 1781–1867
Sketch of an Ornate Doorway, With Columns, and Sculpture
1802-1804
1372
Sir Robert Smirke the younger, 1781–1867
Sketch of an Entry Gate
1802-1804
1373
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Mausoleum
1802-1804
1374
unknown artist
A Cutter and Other Shipping in a Breeze
1827-1828
1375
David Cox Jr., 1809–1885
A Merchantman Becalmed Offshore
undated
1376
Attributed to William Watts, 1752–1851
Cranbourne Lodge
undated
1377
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
1378
James Ward, 1769–1859
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
undated
1379
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
1380
Thomas Rowlandson, 1756–1827
Gardening
undated
1381
Paul Sandby, 1731–1809
A Castle on a River
undated
1382
Thomas Rowlandson, 1756–1827
A Ball at Scarborough
ca. 1820
1383
Benjamin West, 1738–1820
Woman at a Square Piano
undated
1384
James Abbott Pasquier, active 1851–1872
A Struggle With a Load of Clay
1855
1385
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
1386
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
1387
David Charles Read, 1790–1851
Landscape with Trees
undated
1388
David Charles Read, 1790–1851
Landscape with Trees; a River in the Background
undated
1389
Thomas Rowlandson, 1756–1827
The Drunken Nurse
undated
1390
Mrs. P. D. H. Page, 20th century
Lookdown or Moonfish after Original by John White in the British Museum [Caribbean and Oceanic, No. 21]
undated
1391
Mrs. P. D. H. Page, 20th century
Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]
undated
1392
Mrs. P. D. H. Page, 20th century
Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
undated
1393
Mrs. P. D. H. Page, 20th century
Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]
undated
1394
Mrs. P. D. H. Page, 20th century
Dolphin, after the Orignial by John White in the British Museum [Caribbean and Oceanic, No. 26 A]
undated
1395
Mrs. P. D. H. Page, 20th century
Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
undated
1396
Mrs. P. D. H. Page, 20th century
Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
undated
1397
Mrs. P. D. H. Page, 20th century
Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
undated
1398
Mrs. P. D. H. Page, 20th century
Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
undated
1399
Mrs. P. D. H. Page, 20th century
Scorpions, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 8]
undated
1400
Mrs. P. D. H. Page, 20th century
Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]