Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]
undated
1402
Mrs. P. D. H. Page, 20th century
Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]
undated
1403
Mrs. P. D. H. Page, 20th century
Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]
undated
1404
Mrs. P. D. H. Page, 20th century
Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]
undated
1405
Mrs. P. D. H. Page, 20th century
Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
undated
1406
Mrs. P. D. H. Page, 20th century
Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]
undated
1407
Mrs. P. D. H. Page, 20th century
Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]
undated
1408
Mrs. P. D. H. Page, 20th century
Portuguese Man-O'-War, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 32 A]
undated
1409
Mrs. P. D. H. Page, 20th century
Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]
undated
1410
Mrs. P. D. H. Page, 20th century
Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
undated
1411
Mrs. P. D. H. Page, 20th century
Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
undated
1412
Mrs. P. D. H. Page, 20th century
Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
undated
1413
Mrs. P. D. H. Page, 20th century
Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
undated
1414
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
1415
Mrs. P. D. H. Page, 20th century
Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]
undated
1416
unknown artist
Morning
1799
1417
unknown artist
Evening
1799
1418
unknown artist
Mid-Day
1799
1419
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
1420
George Alken, 1794–active 1837
Exercising a Racehorse
undated
1421
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
1422
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
1423
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
1424
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
1425
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
1426
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
1427
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
1428
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
1429
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
1430
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
1431
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
1432
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
1433
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
1434
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
1435
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
1436
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
1437
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
1438
Harold Hitchcock, born 1914
Thundersley
1977
1439
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
1440
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
1441
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
1442
Isaac Cruikshank, 1764–1811
The Cuckold Departs for the Hunt
ca. 1800
1443
attributed to Peter DeWint, 1784–1849
Three Cart-Horses in Traces
undated
1444
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
1445
Robert Dighton, 1752–1814
William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
between 1801 and 1802
1446
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
1447
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
1448
Edward Duncan, 1803–1882
Pheasant Shooting
1825
1449
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
1450
Sawrey Gilpin, 1733–1807
Chestnut Mare and Foal
undated
1451
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
1452
William Heath, 1795–1840
Woodcock Shooting
undated
1453
Sir Francis Grant, 1803–1878
A Grey Horse Trotting Out of a Wood
undated
1454
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
1455
Samuel Howitt, 1756–1822
Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
undated
1456
Samuel Howitt, 1756–1822
Two Hounds Attacking a Stag at Bay
undated
1457
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
1458
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
1459
Samuel Howitt, 1756–1822
An Eagle Perched on a Rock; Lion, Fox, Two Hounds and a Rooster (possibly for "Aesop's Fables")
undated
1460
Samuel Howitt, 1756–1822
An Owl, an Eagle, Two Falcons, a Vulture and Other Birds Perched in Trees
undated
1461
Samuel Howitt, 1756–1822
A Frog Confronting a Circle of Animals
undated
1462
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
1463
Samuel Howitt, 1756–1822
The Check
undated
1464
Samuel Howitt, 1756–1822
A Raven and Two Swans
undated
1465
Samuel Howitt, 1756–1822
A Boar, a Leopard, a Lion, a Tiger, a Wolf, a Ram, and Two Eagles
undated
1466
Samuel Howitt, 1756–1822
Going to Cover
undated
1467
Samuel Howitt, 1756–1822
Going out of Kennel
undated
1468
Samuel Howitt, 1756–1822
The Death
undated
1469
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
1470
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
1471
Samuel Howitt, 1756–1822
Going Home
undated
1472
Samuel Howitt, 1756–1822
Full Cry
undated
1473
Samuel Howitt, 1756–1822
A Woodcock
undated
1474
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
1475
George Jones, 1786–1869
A Camel Resting, Side View to the Right
ca. 1856
1476
George Jones, 1786–1869
A Camel, Facing Left, Sept. 1856
1856
1477
George Jones, 1786–1869
An Elephant
ca. 1856
1478
George Jones, 1786–1869
A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right
ca. 1850
1479
George Jones, 1786–1869
A Camel, Facing Left, Sept. 3, 1850
1850
1480
George Jones, 1786–1869
A Polar Bear, Asleep, Front View
ca. 1856
1481
George Jones, 1786–1869
Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left
undated
1482
Sir Edwin Henry Landseer, 1802–1873
The Deer-Stalker, Oct. 15, 1852
1852
1483
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
1484
George Jones, 1786–1869
Figures on an Elephant and Other Elephant Studies
undated
1485
John Linnell, 1792–1882
Studies of Horses, Men and Carriages
1811
1486
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
1487
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
1488
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
1489
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
1490
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
1491
Thomas Rowlandson, 1756–1827
The Military Adventures of Johnny Newcome
undated
1492
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
1493
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
1494
Thomas Rowlandson, 1756–1827
'How to Twist Your Neck'
undated
1495
Thomas Rowlandson, 1756–1827
Evading the Toll
between 1805 and 1810
1496
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
1497
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs