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1401. Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]

Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 10 7/8 inches (23 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1402. Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]

Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 8 5/16 inches (14.4 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1403. Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]

Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink and blue ink, over graphite, with gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 9 3/8 inches (34.3 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1404. Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]

Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in brown ink and gray ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 7 1/8 inches (19.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1405. Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]

Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor with pen in black ink, over graphite with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1406. Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]

Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1407. Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]

Cooking in a Pot, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 48 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1408. Portuguese Man-O'-War, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 32 A]

Portuguese Man-O'-War, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 32 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Graphite, watercolor, gouache, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 6 3/4 inches (30.2 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1409. Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]

Cooking Fish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 49 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 6 11/16 inches (14.6 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1410. Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]

Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 4 13/16 × 6 1/16 inches (12.2 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1411. Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]

Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 7 3/4 inches (12.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1412. Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]

Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 7 11/16 inches (14.3 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1413. Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]

Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 7 11/16 inches (15.4 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1414. Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]

Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1415. Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]

Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/2 inches (9.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1416. Morning

Morning
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1417. Evening

Evening
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 × 5 13/16 inches (10.2 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1418. Mid-Day

Mid-Day
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1419. Foxhunting: Rider, Taking a Fence

Foxhunting: Rider, Taking a Fence
Creator:
George Alken, 1794–active 1837
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1420. Exercising a Racehorse

Exercising a Racehorse
Creator:
George Alken, 1794–active 1837
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 10 3/4 inches (20.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1421. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1422. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1423. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1424. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1425. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1426. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1427. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1428. "Doing the Thing: and the Thing Done:" Doing it No How

"Doing the Thing: and the Thing Done:" Doing it No How
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1429. "Doing the Thing: and the Thing Done:" Doing the Down Leap

"Doing the Thing: and the Thing Done:" Doing the Down Leap
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1430. "Doing the Thing: and the Thing Done:" The Down Leap Done

"Doing the Thing: and the Thing Done:" The Down Leap Done
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1431. "Doing the Thing: and the Thing Done:" Doing it Somehow

"Doing the Thing: and the Thing Done:" Doing it Somehow
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1432. "Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand

"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 3/16 inches (18.4 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1433. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1434. "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 3/8 inches (18.7 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1435. "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One

"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1436. "Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass

"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1437. "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 10 7/16 inches (18.6 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1438. Thundersley

Thundersley
Creator:
Harold Hitchcock, born 1914
Date:
1977
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, gouache, and gum arabic on very thick, smooth, beige card
Dimensions:
Sheet: 13 1/16 × 19 9/16 inches (33.2 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ian M. Williamson

1439. An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'

An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 6 5/8 inches (20.5 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1440. Stable Boy Holding a Horse in a Landscape

Stable Boy Holding a Horse in a Landscape
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1441. Three Greyhounds in a Room

Three Greyhounds in a Room
Creator:
Peter Casteels, 1684–1749
Date:
undated
Materials & Techniques:
Graphite, watercolor, and pen in gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 9/16 × 10 9/16 inches (24.3 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1442. The Cuckold Departs for the Hunt

The Cuckold Departs for the Hunt
Creator:
Isaac Cruikshank, 1764–1811
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1443. Three Cart-Horses in Traces

Three Cart-Horses in Traces
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 9 7/8 inches (11.7 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1444. Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower

Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 3 1/8 × 4 13/16 inches (7.9 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1445. William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip

William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
Creator:
Robert Dighton, 1752–1814
Date:
between 1801 and 1802
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 5 7/8 inches (14.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1446. "The King and Noblemen Before the Stag is Turn'd Out"

"The King and Noblemen Before the Stag is Turn'd Out"
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 13 1/2 inches (10.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1447. Wild Duck Shooting

Wild Duck Shooting
Creator:
Edward Duncan, 1803–1882
Date:
1825
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1448. Pheasant Shooting

Pheasant Shooting
Creator:
Edward Duncan, 1803–1882
Date:
1825
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1449. Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)

Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
Creator:
unknown artist
Date:
between 1713 and 1718
Materials & Techniques:
Gouache, watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 13 inches (14.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1450. Chestnut Mare and Foal

Chestnut Mare and Foal
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and brown ink on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1451. Two Riders Conversing

Two Riders Conversing
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 9/16 inches (15.2 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1452. Woodcock Shooting

Woodcock Shooting
Creator:
William Heath, 1795–1840
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gum arabic, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 7 3/16 inches (24.6 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1453. A Grey Horse Trotting Out of a Wood

A Grey Horse Trotting Out of a Wood
Creator:
Sir Francis Grant, 1803–1878
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 7 1/2 inches (17.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1454. A Hay Wagon Drawn by Four Horses

A Hay Wagon Drawn by Four Horses
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1455. Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"

Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 11/16 × 10 1/16 inches (27.1 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1456. Two Hounds Attacking a Stag at Bay

Two Hounds Attacking a Stag at Bay
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/16 × 7 3/16 inches (13.2 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1457. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
Creator:
Possibly Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1458. A Young Man with a Horse, with Studies of Hounds and Dead Hare

A Young Man with a Horse, with Studies of Hounds and Dead Hare
Creator:
John Hoppner, 1758–1810
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1459. An Eagle Perched on a Rock; Lion, Fox, Two Hounds and a Rooster (possibly for "Aesop's Fables")

An Eagle Perched on a Rock; Lion, Fox, Two Hounds and a Rooster (possibly for "Aesop's Fables")
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in brown ink, and traces of graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 3/16 inches (13 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1460. An Owl, an Eagle, Two Falcons, a Vulture and Other Birds Perched in Trees

An Owl, an Eagle, Two Falcons, a Vulture and Other Birds Perched in Trees
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in brown ink, with traces of graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 3/16 inches (13 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1461. A Frog Confronting a Circle of Animals

A Frog Confronting a Circle of Animals
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink, and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 3/16 inches (13.2 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1462. Coursing: Setting Out

Coursing: Setting Out
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1463. The Check

The Check
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1464. A Raven and Two Swans

A Raven and Two Swans
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 1/4 inches (13.2 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1465. A Boar, a Leopard, a Lion, a Tiger, a Wolf, a Ram, and Two Eagles

A Boar, a Leopard, a Lion, a Tiger, a Wolf, a Ram, and Two Eagles
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink, and gray ink, and traces of graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 1/4 inches (13.2 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1466. Going to Cover

Going to Cover
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1467. Going out of Kennel

Going out of Kennel
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1468. The Death

The Death
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 7/16 × 11 3/4 inches (24 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1469. Coursing: The Kill

Coursing: The Kill
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1470. Woodcock Shooting

Woodcock Shooting
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 inches (14.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1471. Going Home

Going Home
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, and black ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/2 × 12 inches (24.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1472. Full Cry

Full Cry
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1473. A Woodcock

A Woodcock
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 6 3/8 inches (21.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1474. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1475. A Camel Resting, Side View to the Right

A Camel Resting, Side View to the Right
Creator:
George Jones, 1786–1869
Date:
ca. 1856
Materials & Techniques:
Graphite, pen and brown ink, brown wash, and white gouache on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 3 5/8 × 5 5/16 inches (9.2 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1476. A Camel, Facing Left, Sept. 1856

A Camel, Facing Left, Sept. 1856
Creator:
George Jones, 1786–1869
Date:
1856
Materials & Techniques:
Pen and brown ink, graphite, blue wash, and white gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 3 3/4 × 5 1/2 inches (9.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1477. An Elephant

An Elephant
Creator:
George Jones, 1786–1869
Date:
ca. 1856
Materials & Techniques:
Pen and brown ink, graphite, blue wash, and white gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 3 5/8 × 5 inches (9.2 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1478. A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right

A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right
Creator:
George Jones, 1786–1869
Date:
ca. 1850
Materials & Techniques:
Pen and brown ink, graphite, and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 3 9/16 × 4 15/16 inches (9 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1479. A Camel, Facing Left, Sept. 3, 1850

A Camel, Facing Left, Sept. 3, 1850
Creator:
George Jones, 1786–1869
Date:
1850
Materials & Techniques:
Pen and brown ink, graphite, and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 3 7/8 × 4 7/8 inches (9.8 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1480. A Polar Bear, Asleep, Front View

A Polar Bear, Asleep, Front View
Creator:
George Jones, 1786–1869
Date:
ca. 1856
Materials & Techniques:
Graphite, pen and brown ink, brown wash, and white gouache on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 3 3/8 × 5 inches (8.6 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1481. Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left

Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/4 × 4 7/8 inches (8.3 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1482. The Deer-Stalker, Oct. 15, 1852

The Deer-Stalker, Oct. 15, 1852
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1852
Materials & Techniques:
Pen and brown ink, and brown wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 3/16 × 4 3/8 inches (18.3 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1483. Sportsman and Two Dogs

Sportsman and Two Dogs
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 3/4 inches (11.1 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1484. Figures on an Elephant and Other Elephant Studies

Figures on an Elephant and Other Elephant Studies
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1485. Studies of Horses, Men and Carriages

Studies of Horses, Men and Carriages
Creator:
John Linnell, 1792–1882
Date:
1811
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 5 1/8 inches (23.2 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1486. Figures, Horses and Cows

Figures, Horses and Cows
Creator:
Thomas Ross, active from 1753
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 × 7 inches (11.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1487. Riders, Figures and a Dog

Riders, Figures and a Dog
Creator:
Thomas Ross, active from 1753
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 15/16 × 6 1/2 inches (10 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1488. The Annual Sculling Race for Doggett's Coat and Badge

The Annual Sculling Race for Doggett's Coat and Badge
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1489. A Crowded Race Meeting

A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1490. Figures with a Wagon and Horses

Figures with a Wagon and Horses
Creator:
Thomas Ross, active from 1753
Date:
undated
Materials & Techniques:
Pen and black ink, red chalk, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 7/8 × 5 11/16 inches (7.3 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1491. The Military Adventures of Johnny Newcome

The Military Adventures of Johnny Newcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1492. Breakfast before the Hunt

Breakfast before the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1493. An English Postilion

An English Postilion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1494. 'How to Twist Your Neck'

'How to Twist Your Neck'
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1495. Evading the Toll

Evading the Toll
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1496. Two Horses' Heads

Two Horses' Heads
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, red chalk, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 3/16 × 8 11/16 inches (13.2 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1497. The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 1/2 × 11 11/16 inches (21.6 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1498. A Coach with Royal Coat of Arms

A Coach with Royal Coat of Arms
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1764
Materials & Techniques:
Watercolor, pen and black ink, graphite and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 4 9/16 × 7 1/16 inches (11.6 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1499. A Hare Running, with Ears Laid Back

A Hare Running, with Ears Laid Back
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Mount: 5 11/16 × 6 3/4 inches (14.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1500. A Racehorse, Bridled and Saddled

A Racehorse, Bridled and Saddled
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 3/4 × 10 3/4 inches (24.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection